Well, my mom had me at 22 and my sister at 24. When I think about her trying to raise these two young girls in Manhattan, having grown up in an incredibly conservative family and her having a more progressive calling for a more liberal life… It was my mother’s bravery, and my mother’s pursuit of her creative life that made it possible for me to have the one I currently have.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, Washington, D.C., 5 October 2006 source ↗
Others on this question
View all 50 →Well, naturally, my grandfather. He was a Hasid, meaning a member of the Hasidic community, and I loved him, I adored him. So thanks to him, I became a Hasid too. And my mother — who actually continued his tradition — she’s the one who brought me to Hasidic Masters. And all the stories I tell now — I’ve written so many books with Hasidic tales — these are not mine, these are theirs, my mother’s and my grandfather’s. My father taught me how to reason, how to reach my mind. My soul belonged to my grandfather and my mother. They enriched me, of course. They influenced me profoundly, to this day. When I write, I have the feeling, literally, physically, that one of them is behind my back, looking over my shoulder and reading what I’m writing. I’m terribly afraid of their judgment.
I liked all the normal kinds of adventure books, Kidnapped, Treasure Island, Huck Finn sorts of things. I loved Swiss Family Robinson and that whole period of South Sea adventure movies. I liked westerns. Westerns were very big when I was growing up. When we finally got a television there was a whole run of westerns on television. John Wayne films, directed by John Ford, before I knew who John Ford was. I think those were very influential in my enjoyment of movies.
I think that I followed the influences of the people whose style and cooking I admired. When I went to Restaurant Gordon Ramsay in the early days, it was the best and the most exciting cooking in the UK at that time. Later on I worked with Thomas Keller and Alain Ducasse and eventually I chose to go to work in Le Louis XV because when I set foot in the kitchen, I just knew it was for me. I think you can see all of those influences in the techniques and the flavors that I use: there’s a real purity to the way that we cook and a real natural process here at my restaurant, Core, that always stayed with me from my time at Alain Ducasse.
More from Olivia de Havilland
View profile →Doing cryptic crosswords or, equally, reading tales of mystery and imagination.
Champagne.
Nelson Mandela.
The loss of physical, financial, and psychological independence.
The deception and exploitation of the naïve and defenseless.
In their company, each of us doing his/her own thing in perfect harmony.
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