My dad always told me and my two brothers, “Don’t ever get too proud or too old to say that you love me and to say that you love each other.” “Love” is a pretty commonly used word in our family. When I talk to my brothers now on the phone midday, we always end the conversation saying, “I love you. I love you, bro.”
Originally asked
Vogue, to one guest at a time, on camera, 73 Questions
A repeated rapid-fire prompt in Vogue's 73 Questions, verified in separate English- and Korean-language episodes.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, New York City, 13 September 2019 source ↗
Others on this question
View all 28 →And I never forgot what he said, Bill Clinton. He looked at me, and he said, “You know, Leon, you can be the greatest OMB director in the history of the world, but nobody’s going to remember you if the White House has fallen apart!” I never forgot that.
I often repeat to them something that — not my mentor, but a senior scientist at the NIH — said to me once. We were having lunch together. I was despondent, despondent because nothing had worked. I had been there a year. And this guy said to me, “Look,” he said, “do you know the difference, Bob, between an average scientist and a world class scientist?” I said no. He said, “Here’s what it is.” He said, “For the average scientist, maybe one percent of their experiments work. But for the world class guy, the world beater, it could be as high as one-and-a-half or two percent.” And then that really stuck with me because it’s really true.
Then there was Von Neumann, the great mathemati-cian. We used to go for walks on Sunday. We'd walk in the canyons, and we'd often walk with Bethe, and Von Neumann, and Bacher. It was a great pleasure. And Von Neumann gave me an interesting idea; that you don't have to be responsible for the world that you're in.
More from Andrew Lloyd Webber
View profile →Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince
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