Like Joel McCrea’s character at the end of the movie Ride the High Country. (He says something about “entering his house justified,” sits up to take a last look at the scenery, then rolls contentedly out of the frame.) Or like Bill Nighy’s character at the end of our film Living.

If needed—a doctor-assisted death.

Sometimes when I’m on a plane, as I often am, the weather is rough and we’re worried about going down. I think: If I hold the hand of the person next to me, I’ll be holding everyone’s hand. Like my dear friend, the late Wilma Mankiller, principal chief of the Cherokee Nation, I want to know: I’m going to the other side of the mountain.

It was this celestial splendor that suddenly made me realize how little time, how little life, I had left. My sense of the heavens’ beauty, of eternity, was inseparably mixed for me with a sense of transience — and death. ... I told my friends Kate and Allen, “I would like to see such a sky again when I am dying.” “We’ll wheel you outside,” they said.

Being together with the ones I love on a Wednesday afternoon, washing the dishes, taking the garbage to the bin under a gray sky, hearing the distant sounds of children from upstairs, turning around and suddenly looking into the eyes of the one I love. It is the feeling of being alive I’m talking about. And of being in love.