I love documentaries. I really do. I think documentaries – I’m much more interested in non-fiction than fiction; just the way that I think about things. I can’t remember a documentary that I said, “That’s a bad documentary.” ... But as far as titles of documentaries? You know what was good was Amy. ... It was really good. The beauty and tragedy of an artistic genius.

Zack Canepari & Drea Cooper's "California Is A Place" showed me how independent doc shorts for online were possible, and also that they could be quirky, stylized and emotionally resonant. This, along with MediaStorm's short multimedia pieces, opened my world to that wonderful blurry space between film + journalism on the web.

Let’s see. I like The Big Short. I’d read the book already. That was a good one. ... I find more than documentaries – I get a little impatient with documentaries because I find the point they’re trying to make could be made in ten minutes and we’re stretching it to an hour and 45 with pictures and unless those pictures are amazing, there’s a lot of other things I’d rather do.

"Fourteen Days in May" by Paul Hamann opened my eyes to the power of documentary and "Portrait of Jason" remains my favorite documentary of all time. The exploration of performance and representation of reality and storytelling is still very powerful to me.