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Jessye Norman

Operatic soprano and recitalist

Recorded said elsewhere, not written here
As a very young singer, I was invited to the opera house in Berlin by the then-director of the opera house, Egon Seefehlner, and I had one opera to my name that I knew. He felt that there was a lot that I could learn there, which was very true, and I was so lucky to be able to have this opportunity. The thing that was happening is that I kept being offered operas that I knew that I wasn’t ready to sing, just from an experience point of view, as well as being 24 years old. So I was always asked to sing things that I thought, “Well no, I really don’t think I should sing that now. I need to sing that maybe in five years, or maybe in 10 years, but not right now. Couldn’t I please sing something else?” And that became a difficulty for me. And after being at the opera house for three years, and singing Elsa and Elisabeth — the Wagner roles that are not sort of the heavy Wagner roles — and then Mozart operas that suited my voice at the time, I was continually invited to sing things that I just felt I shouldn’t. So I took it upon myself to go to speak with the artistic director to say that I thought I should leave the opera house, and come back in some years when my maturity sort of chronologically would have caught up with the invitations that I was being offered. Of course, considering that he’d taken me into the opera house when I knew one role, he wasn’t all that happy. I thought he’d say, “Oh, what a smart girl. Oh yes, absolutely. That’s what we’ll do.” No, no. He was absolutely furious.

Academy of Achievement (achievement.org) source ↗

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Li Na Chinese professional tennis player, 1999–2014
The task of finally making a decision to hang up my racquet felt a lot more difficult than winning seven matches in a row in the Australian heat. It took me several agonizing months to finally come to the decision that my chronic injuries will never again let me be the tennis player that I can be. Walking away from the sport, effective immediately, is the right decision for me and my family.
Recorded Open letter, 'My dear friends', WTA (archived), 19 September 2014 source ↗
Sir Roger Bannister Middle-distance runner and neurologist; first man to run a mile in under four minutes
No, because I was set for it. My core, my whole life was medicine. I wanted to become a specialist. So for ten years I concentrated solely on medicine. It took ten years to become a consultant in neurology.
Recorded Academy of Achievement interview, 7 June 2002 source ↗
Ellie Simmonds British Paralympic swimmer, 2008–2021
I don't think I could go for another three years. I'm leaving it at the right time, I love it, I've absolutely had a wonderful competition and I've loved every minute of it.
Recorded Channel 4, Poolside, Tokyo Aquatics Centre, after the S6 400m freestyle final, BBC Sport, 2 September 2021 source ↗
Desmond Tutu Anglican Archbishop of Cape Town; chair of South Africa’s Truth and Reconciliation Commission; Nobel Peace Prize, 1984
I stopped being a teacher when the South African Government introduced a deliberately inferior education for blacks called Bantu education, and I felt I wasn’t ready to collaborate with this apology for an educational system. Our children, the 1976 kids who revolted against apartheid in Soweto, called it “gutter education,” and it was gutter education. I left teaching. Of course, I didn’t have too many option, and mercifully, the Bishop of Johannesburg at that time accepted me for training for the priesthood. So I came to the priesthood, as it were, by default.
Recorded Academy of Achievement recorded interview, American Academy of Achievement, 12 June 2004 source ↗

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Question What does everyone in your world seem to agree on that you think is wrong? Values & belief
I went to the opera practically every night. I went to something practically every night, just learning and seeing and absorbing, and what I noticed is that there were singers that were only sort of slightly older than I whose voices sounded as though they were many decades older than that, and didn’t sound pretty, and I needed to understand what was happening. I mean there were singers that were 28 or 30 years old or something, and I would speak to them afterwards to say, “Was your voice tired tonight? Tell me what’s happening,” because I didn’t understand it. Their voices should have sounded fresh and blooming and wonderful, but instead they sounded different, and it was because they were singing a different opera every night, and singing whatever was offered, and I didn’t understand and needed to understand — because no one was telling me these things — why they just didn’t say no. Why didn’t they just say, “Oh no, I don’t think I should.”
Recorded Academy of Achievement (achievement.org) source ↗

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