What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Katie Tupper said elsewhere, not written here
I think I get writer’s block all the time in every session that I do. There are always going to be blocks that happen. You should treat yourself cyclically, you’re going to go through periods where you just need to be intaking.

Hannah Harlacher, The Creative Independent interview source ↗

Others on this question

View all 66 →
M Lin Chinese writer
One thing that’s not a hobby but is something I have to do is walk my dog. I’m not the first person to say walking is helpful. For writers, leaving the mental space and returning to a physical sensation in your body is important. Even playing piano is like a physical sport. Because we live so up here [gestures above her head] when we’re writing.
Recorded Amy Y.Q. Lin, The Creative Independent interview source ↗
Alysha Brilla Canadian musician
I do believe that some of the funniest people you’ve ever met might not ever be on a stage. Similarly, some of the most talented musicians you will ever hear are playing in a little house somewhere across the world. Some of the most profound exchanges of words happen between two people who are channeling an intimacy and depth of humanity which not all of us will hear.
Recorded Sania Khan, The Creative Independent interview source ↗
Greg Mendez American musician
It comes in fits and starts. In the past I thought about them as creative blocks, but I don’t really think about it like that anymore. I just think about it as a season. That’s okay.
Recorded Brandon Stosuy, The Creative Independent interview source ↗
There’s a lot of ways to talk about this but in terms of writer’s block, every block I’ve ever had, every metaphysical obstacle and every obstacle inside of me that has prevented me from doing something that mattered to me always factored down to fear. It was really a matter of, in most cases, lowering my standards, and it was this kind of perfectionism. Like, I can’t write badly, I can’t fail, I can’t be rejected. If it becomes okay to be rejected or to fail or to stutter in your attempt at something, then it becomes more possible to do it. If I have to do it perfectly the first time—and my default is that it should be perfect the first time—then I become immobilized.
Recorded Resham Mantri, The Creative Independent interview source ↗

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