There’s a few that are immediate, because he just drilled them into my head. One is “Nothing attracts a crowd like a crowd.” Try as hard as you want to market something, get a crowd. That’s what actually matters. Another one that he still says all the time is, “You’ve got a violin, I’ve got a barn. Let’s put on a show. Don’t overthink this, just go.

My father said to me, “You need a piece of paper to go into a door sometimes.” I didn’t understand about résumés, but when you write a résumé you have to put down things that people want to know about.

One of my favorite lessons is best summed up in the words of an old Athabascan Indian who told me, “There are many hard things in life, but there is only one sad thing, and that is giving up.”

I thought often during my years in the White House of an admonition that we received in our small school in Plains, Georgia, from a beloved teacher, Miss Julia Coleman. She often said: "We must adjust to changing times and still hold to unchanging principles."

And I acted when the actors didn’t show up. As the director, I knew all the lines and I took over more times than I wanted to. I didn’t know much about directing, but I was the only one willing to do it. Someone had looked around and said, “Who’s going to be the director?” I said, “I will.” I said that because I knew my way around the library. So I went to look for a book on how to direct a play. I found one called The Fundamentals of Play Directing and checked it out. I didn’t understand anything in it. It was all about form and mass and balance. I flipped through the book and there in Appendix A I discovered what to do on the first day of rehearsal. It said, “Read the play.” So I went to the first rehearsal very confidently and I said, “Okay, this is what we’re going to do. We’re going to read the play.” We did that. Now what? I hadn’t got to Appendix B. So I said, “Let’s read the play again.” That night I went back to the book and sort of figured out what to do from that point on.

I was writing poetry. But I found the theater such an exciting experience that one day I went home to try. I had one character say to the other guy, “Hey, man, what’s happening.” And the other guy said, “Nothing.” I sat there for twenty minutes and neither of my guys would talk. So 1 said to myself, “Well, that’s all right. After all, I’m a poet. I don’t have to be a playwright. To hell with writing plays. Let other people write plays.” I didn’t try to write a play for a number of years after that first experience.