Oh, there’s so many. Usually it’s when I’m overwhelmed, because I get defensive and I just want to like hide under my couch. I’m working on a project now that I’ve been stuck [with] on a problem for four years and I’m finally [in] “fuck it, let’s just get it done” mode. Which is really nice, but there’s always blocks. I mean, I’ve had a block with the foldable coat hanger for years, and I think we finally have solved it. It’s cool how it ebbs and flows and you’ll discover a new way to approach it that solves [a] problem–and then maybe [that] causes new problems. There’s nothing consistent about it.

It comes in fits and starts. In the past I thought about them as creative blocks, but I don’t really think about it like that anymore. I just think about it as a season. That’s okay.

You just have to remember that you’re a creator and not a machine. You just have to know when you’ve got to step aside and either move onto something else or just stop until the moment feels right again.

When young artists ask, “How can I get past these things?” I respond: “For one thing, try doing your very worst work. Do the worst song you can possibly think of. At the very least, you’ll get some idea of what your rules are. At the most, you’re going to get something that’s better than anything you’ve ever done because it has a lot of pure energy.” Just make it bad. Just make it really bad. You know, so pure and bad. I have tried that. That works well. Sometimes I clutch on that, too. I think, “No, that’s so bad it’s good.” Go on and on and get yourself twisted up into a language!