There’s a good amount of momentum between projects. I worked in design for 10 years, so I don’t have time for writer’s block. I don’t have time for creative blocks. That’s my perspective on everything. When you’re working with a client and it’s not necessarily for yourself and it’s about a timeline, it’s about deadlines, and it’s a very structured process and you’ve followed that—especially if you’ve been let go at certain jobs because you didn’t follow that—you just kind of get over yourself. But, I dunno. And that’s maybe not the greatest thing to say, but I think that’s a responsibility to have, man. Just making sure that you’re not out of it all the time. Making sure that you can actually deliver.

I just wait. I accept that I might not write anymore. I accept that life changes and that maybe it’s not the end of the world even if it feels like it. That was a thing going on about 15 years ago with me. I don’t really feel that way anymore, but when it was happening it was hard. It feels like it might never come again, and then you just accept it.

I don’t. The process of trying to get to something is part of it. Sometimes I don’t have much of an idea initially. For me, studio time is also about reading and looking at things. I might spend a couple weeks just reading something or looking through images or doing image searches or going to museums and thinking in front of great paintings. And then at some point I start to get back to my own ideas and how they can form into something that has meaning for me.

I always want to feel fresh when I do something. If I don’t have that excited feeling, it’s impossible to move people, and that’s the most important thing for me.