I've had some downturns in my career and various problems, but in fact all those kind of problems turned into something even better. It's kind of amazing, various times in my career.

Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.

I would like to have been concerned about this existential threat sooner.

I knew what I had done wrong. I had followed the experts and put the money I had in television. The second time around I spent almost no money on television. The only money I spent on television, I spent on Ted Turner's station, late at night on something called Creature Feature and wrestling. Because those were things that I knew people looked at. But we spent most of our money organizing people door-to-door.

I think one of the best things that art can do is to shine a light on dark places, and to hold something up and say: 'This hasn't gone unnoticed. We see this, and we're going to say something about it.'

I don't think I really understood that you could choose writing as a profession for many years later. It wasn't really until I was 17, when I read Song of Solomon by Toni Morrison and saw, 'Oh, someone like me, a black woman, can do this ...

On the best days, I stop pleading, stop bargaining and watch-checking and fall into a rhythm so satisfying that I simply forget I’m working. So much of my writing day feels like well-digging. Sometimes I dig 200ft down before coming back up, dry. Every day I search for water.

The desk helps, now that I have it. I’ve stacked piles of books that I love on it to act as talismans. They help, too. The desk makes me feel like I’m going to work, even though work is located in a cramped but bright corner of my living room. […] I used to think of myself as someone with a great deal of discipline, but I lost it in the air somewhere over the Rocky Mountains. Now, instead of discipline, I have a desk, and every day that I sit at it I dig a little deeper.

Home can never really be a place. It is this thing that you carry inside of you.

Usually, my irrational bargaining goes something like this: I start working at around 10 if I’m feeling motivated, 11 if I’m not. I reread the work from the day before and/or passages that I think I got right in order to try to set the tone. I write a sentence. I read it aloud. I delete the sentence. I look at the clock and wonder if it’s too early to think about lunch. I tell myself that, if I can make it to 300 words, I can break for lunch.