I knew what I had done wrong. I had followed the experts and put the money I had in television. The second time around I spent almost no money on television. The only money I spent on television, I spent on Ted Turner's station, late at night on something called Creature Feature and wrestling. Because those were things that I knew people looked at. But we spent most of our money organizing people door-to-door.

I would like my architecture to inspire people to use their own resources, to move into the future.

Nothing in this world is worth having or worth doing unless it means effort, pain, difficulty. No kind of life is worth leading if it is always an easy life. I know that your life is hard; I know that your work is hard; and hardest of all for those of you who have the highest trained consciences, and who therefore always feel how much you ought to do. I know your work is hard, and that is why I congratulate you with all my heart. I have never in my life envied a human being who led an easy life; I have envied a great many people who led difficult lives and led them well.

there was already an area of research, the autonomic nervous system, which was relatively neglected. It was between cardiology and neurology, and these areas in between are often the province of neither specialty, and so can lag behind. And that was the area I chose and this changed the second half of my life, if you like, because I then set up a laboratory.

You're so nice. You're not good, you're not bad, You're just nice. I'm not good, I'm not nice, I'm just right. I'm the witch. You're the world.

But that’s part of the process, isn’t it? Something might not fit in the show. Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration. And when the audience comes in, it changes the temperature of what you’ve written. Things that seem to work well — work in a sense of carry the story forward and be integral to the piece — suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.

I'm a lazy writer. My idea of heaven is not writing. On the other hand, I'm obviously compulsive about it.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.

No. Although I have to qualify that. Though he was, by jazz standards, a very square composer, he was, by musical theater standards, a not square composer, and he taught me to be less square. I tend to be square.