No two weeks have been the same since I retired. Since this is my fifth year out of professional basketball, I'm at a point where I want to evaluate and make a decision whether I want more consistency and continuity, or I want things to continue in that mode. This is a transitional time.

I retired sort of willy-nilly and only after I started writing the column did I suddenly discover there were all these things out there that I hadn't learned about. And so my mission became to try to educate future retirees about what they were going to face and what they needed to know.

I'm the only president that's ever visited Africa south of the Sahara Desert. I went to two (African) countries while I was president, and I didn't know the potential of that continent, nor the challenges that faced those people. Now I do. To a much greater extent I didn't understand the [widespread] problems in our own country, from a personal point of view. I was dealing with billions of dollars that would be allocated for education or health or welfare or housing, or whatever. But I didn't know from a personal point of view the people that actually were in need or that were the recipients of those quite often inadequate and ill-designed programs.

There are things that I really am interested in doing that I can't do if I continue to do what I'm doing. And I - teaching would be a big thing for me. I'm an adjunct instructor at Johns Hopkins and teach business communications and ethics, so very different from what I do on a daily basis.

One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.

But that’s part of the process, isn’t it? Something might not fit in the show. Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration. And when the audience comes in, it changes the temperature of what you’ve written. Things that seem to work well — work in a sense of carry the story forward and be integral to the piece — suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.

Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.

No. Although I have to qualify that. Though he was, by jazz standards, a very square composer, he was, by musical theater standards, a not square composer, and he taught me to be less square. I tend to be square.

I'm a lazy writer. My idea of heaven is not writing. On the other hand, I'm obviously compulsive about it.

You're so nice. You're not good, you're not bad, You're just nice. I'm not good, I'm not nice, I'm just right. I'm the witch. You're the world.