Homegoing spans about 250 years of Ghanaian and American history. Some of this history I knew a bit about, but the novel did require an extensive amount of research, which was by far the most difficult part in the process of writing.

Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.

I knew what I had done wrong. I had followed the experts and put the money I had in television. The second time around I spent almost no money on television. The only money I spent on television, I spent on Ted Turner's station, late at night on something called Creature Feature and wrestling. Because those were things that I knew people looked at. But we spent most of our money organizing people door-to-door.

there was already an area of research, the autonomic nervous system, which was relatively neglected. It was between cardiology and neurology, and these areas in between are often the province of neither specialty, and so can lag behind. And that was the area I chose and this changed the second half of my life, if you like, because I then set up a laboratory.

For me, making architecture is the same as thinking. For more than thirty years, I have been making architecture by going back and forth between ideals and reality, between the fictive and the substantive. My hope has been and continues to be, not only to solve realistic problems, but also to pursue the ideal by overlaying speculative imaginings.

More than 500 children under the age of 18 lost a parent in the Hanshin Earthquake; 88 of them lost both parents and became orphans. I have proposed the establishment of a foundation in order to support the education of these children so that they can sustain their hopes for the future. To that end, I would like to contribute the hundred thousand dollar prize awarded to me today by The Hyatt Foundation towards this new foundation for these young earthquake victims.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

The modern architecture that I have been weaned on also espouses (clear) function, (exposed) structure, and (raw) material as principles—characteristics that tend to be accessed only from realistic or substantive dimensions. Fictionality or imagination, the other dimension, is omitted entirely. However, Vitruvius emphasized venustas, in other words attraction or beauty as a necessity along with strength and function.