You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.

Now according to me, and this is my cosmology scheme, which I'm having trouble persuading the cosmologists about, is that when the universe is rid of pretty well all its matter, it in a certain sense forgets how big it is. Now that's a crazy idea, but you see if you don't have any mass around you don't have any way of scaling the size of the universe, and so it in effect becomes the big bang of the next aeon as I'm calling it – A E O N. So according to my scheme, the universe as we currently understand it, which is from big bang, and then there's this inflationary phase which I don't believe in, which is supposed to take place very, very early on, and then the universe has this more sedate expansion, and then it has another exponential expansion, and that's it. According to me, that's not it. It morphs into the next big bang.

I never got to the point where I felt that nonviolence was not viable. ... I realized that it wasn’t that it wouldn’t work, it’s that people didn’t follow the proper steps in trying to achieve it because there are a set of principles and there are a set of steps in the methodology that we were taught about nonviolence. And when we follow those they work.

Yeah, and it’s made it considerably more difficult. It’s funny when you look back now, because everybody’s sort of copied those films. They’re so ingrained in the culture now, it’s almost impossible to think there was a point where those things were completely odd and unique.

More than 500 children under the age of 18 lost a parent in the Hanshin Earthquake; 88 of them lost both parents and became orphans. I have proposed the establishment of a foundation in order to support the education of these children so that they can sustain their hopes for the future. To that end, I would like to contribute the hundred thousand dollar prize awarded to me today by The Hyatt Foundation towards this new foundation for these young earthquake victims.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

I would like my architecture to inspire people to use their own resources, to move into the future.

For me, making architecture is the same as thinking. For more than thirty years, I have been making architecture by going back and forth between ideals and reality, between the fictive and the substantive. My hope has been and continues to be, not only to solve realistic problems, but also to pursue the ideal by overlaying speculative imaginings.