I do get creative blocks. When I get into zones where I start second-guessing my subject matter. When I’m on the end of the spectrum where I’m like, “Oh my god, this is so repetitive and I’m sick of this lady’s face.” At times I get so frustrated with myself and with her for that reason. The best thing for me to do at those times is not to rebel against the subject matter. When I’m being too hard on myself, I need to accept that there’s more I have to say, visually, about the things I’ve been working through for a long time.

It’s lame to say, “Well, there’s this book,” but I would only mention this book—The War of Art by Steven Pressfield—because it is a super-easy, fast read. And it really is written for artists and entrepreneurs. One of the concepts that he lays out is, it’s a matter of us not brushing over the things that are important or giving ourselves excuses to not do the work that we don’t want to do.

I like to hammer on and get it done. That doesn’t mean you should rush it or be impatient. I’m very fortunate, because doing what I do, there is a matter of deadlines that come into place if I’m making a record. There is the pressure of having members of my band that I employ who have mortgages, and then management and record company who rely on me to deliver. But I’m glad to have that pressure. Again, it’s a privilege. It means I’m doing well, but it means I have to deliver. It gives you an endpoint.

Nothing happens because there’s not enough real activity and challenge: You’re not in contact with the experimental guys.  You don’t have to think how to answer questions from the students.  Nothing!