Just by not giving up, I guess. It was extremely difficult. Oh god, I’m hesitant to think what this interview’s gonna look like… I don’t wanna seem like the guy who’s always doing difficult things. But yes, I had writer’s block. It was massive. And I came out of the recording session for Melana Chasmata thinking this was the most difficult album I’ve ever done in my entire life. And I had already thought that after Celtic Frost’s Monotheist and after the first Triptykon album. But now I find myself in a situation where I’m working on the third Triptykon album, and I have exactly the same feeling. So maybe I’m just psychologically sick. I don’t know.

I think once an artist or musician reaches a certain level of mastery, you can just do it on autopilot. My hand can keep moving and I can be making things, and on the outside I can be like, “This looks really cool” but I’m really just bored with it. I can draw this face or an eyeball or whatever in my sleep, and it’s not interesting to me. A creative block to me just means getting bored with myself. Those are those moments where you have to shake it up or do some introspection, or simply take a break. Sometimes I read a book or go to the movies, have my favorite meal, or go on a trip.

I get really mad, and I’m like, “Well, I have to solve it.” I think of these things sometimes even as math problems. I take a photo of it, I turn it away, and I look at it in my phone a lot. An image becomes much less scary to solve when it’s not eight feet tall, but it’s eight centimeters tall. When I’m going to bed, I’m obsessively in the finger drawing app on my phone, and I try and figure out what to do with it. Eventually, I’ll figure out the answer, and then turn the painting back around and fix it, but it’s way harder to do when you’re just staring at the giant thing.

I love reading diaries of artists and writers because it’s really hard to explain the creative life to the average person. People always ask me, “What do you do all day?” Your daily life can feel a little bit indulgent. When I read diaries and letters, I’m always struck by how banal it all is. It’s not about creating most of the time. It’s just about living. I find great comfort in those texts.

I would have tried to meet Lou Reed backstage. I went to see him for years, and never tried to meet him. Eventually we met at award shows and did become friends.

Hormones – other than that, I sleep like a rock.

It feels like a yearning but also a kind of overwhelming glowing out.

A death threat at Glastonbury festival in 1989. The police told me not to go on, but I said I had to because I was headlining. So I wore a bullet-proof vest. It seemed unlikely that I would be assassinated, but it was shocking and very stressful.

The most extravagant thing was a bottle of 1904 armagnac for $1,000. I spent $10,000 on a Martin guitar in the 90s. I also spent $100,000 on a Fairlight keyboard and I ended up giving it away. Oh well.

Something by Leonard Cohen, I haven’t figured out which song yet.