Definitely [my best moment was] the 2016 World Cup, that semi-final game against India where I brought the team home, me and Lendl Simmons, and obviously the start that we got from the other batters,

When I think of the fate of poor old women, so many of whom have no one to look after them and nothing to live on at the end of their lives, I am glad to have had a hand in all that structure of pensions and insurance which no other country can rival and which is especially a help to them.

Very happy, very proud, apart from the loss of many lives, which can never be corrected, or we can’t do much about it. It’s probably the most expensive part of the struggle. But to have won the war and won the peace for ourselves, because if you look at those years of the war, of the genocide, and they are brought to an end, and then we started building and rebuilding and a sense of reconciliation, a sense of allowing Rwandans to live together as a nation. And now a proud people of Rwanda, and socially made progress politically, significant progress, economically the same. I think we could not have asked for more.

If it’s one thing, obviously it had to have been being selected to make the first manned space flight for the United States. That was competition at its best, not because of the fame or the recognition that went with it, but because of the fact that America’s best test pilots went through this selection process, down to seven guys, and of those seven, I was the first one to go. That always will be the most satisfying thing for me.

When I’m in writing mode for a novel, I get up at four a.m. and work for five to six hours. In the afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do both), then I read a bit and listen to some music. I go to bed at nine p.m. I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind. But to hold to such repetition for so long—six months to a year—requires a good amount of mental and physical strength. In that sense, writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.

I myself, as I’m writing, don’t know who did it. The readers and I are on the same ground. When I start to write a story, I don’t know the conclusion at all and I don’t know what’s going to happen next. If there is a murder case as the first thing, I don’t know who the killer is. I write the book because I would like to find out. If I know who the killer is, there’s no purpose to writing the story.

I want my readers to laugh sometimes. Many readers in Japan read my books on the train while commuting. The average salaryman spends two hours a day commuting and he spends those hours reading. That’s why my big books are printed in two volumes: They would be too heavy in one. Some people write me letters, complaining that they laugh when they read my books on the train! It’s very embarrassing for them. Those are the letters I like most. I know they are laughing, reading my books; that’s good. I like to make people laugh every ten pages.