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Haruki Murakami

Novelist, short-story writer and translator

Recorded said elsewhere, not written here
When I’m in writing mode for a novel, I get up at four a.m. and work for five to six hours. In the afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do both), then I read a bit and listen to some music. I go to bed at nine p.m. I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind. But to hold to such repetition for so long—six months to a year—requires a good amount of mental and physical strength. In that sense, writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.

John Wray, The Paris Review, issue 170, Summer 2004, 1 January 2004 source ↗

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Magnus Carlsen Norwegian chess grandmaster; World Chess Champion 2013–2023
I would want to be a role model. As you talk about an athlete who wakes up at seven every day, then you have two training sessions...for me, it's not like that. I definitely think about chess all the time. I work at chess every day but it's not like I have a routine. It's always been based on inspiration for me. Fortunately, I haven't run out of inspiration yet...Sometimes I play better when I haven't slept that much, because you kind of play more creative.
Recorded On-stage interview, Milken Institute Global Conference, Los Angeles, Chess.com, 5 May 2017 source ↗
Yaa Gyasi Novelist
Usually, my irrational bargaining goes something like this: I start working at around 10 if I’m feeling motivated, 11 if I’m not. I reread the work from the day before and/or passages that I think I got right in order to try to set the tone. I write a sentence. I read it aloud. I delete the sentence. I look at the clock and wonder if it’s too early to think about lunch. I tell myself that, if I can make it to 300 words, I can break for lunch.
Recorded The Guardian, 'My writing day' series, 28 October 2017 source ↗
Toni Morrison Novelist and editor; Nobel laureate in Literature, 1993
Writing before dawn began as a necessity—I had small children when I first began to write and I needed to use the time before they said, “Mama”—and that was always around five in the morning. Many years later, after I stopped working at Random House, I just stayed at home for a couple of years. I discovered things about myself I had never thought about before.
Recorded Elissa Schappell, The Paris Review, issue 128, Fall 1993, 1 January 1993 source ↗
Ronald Reagan 40th President of the United States, 1981–1989; Governor of California 1967–1975
You know, down the hall and up the stairs from this office is the part of the White House where the President and his family live. There are a few favorite windows I have up there that I like to stand and look out of early in the morning. The view is over the grounds here to the Washington Monument, and then the Mall and the Jefferson Memorial. But on mornings when the humidity is low, you can see past the Jefferson to the river, the Potomac, and the Virginia shore. Someone said that's the view Lincoln had when he saw the smoke rising from the Battle of Bull Run. I see more prosaic things: the grass on the banks, the morning traffic as people make their way to work, now and then a sailboat on the river.
Recorded Oval Office, The White House, Ronald Reagan Presidential Library and Museum, 11 January 1989 source ↗

More from Haruki Murakami

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Question What are you best at that nobody watching would notice? Craft & work
I want my readers to laugh sometimes. Many readers in Japan read my books on the train while commuting. The average salaryman spends two hours a day commuting and he spends those hours reading. That’s why my big books are printed in two volumes: They would be too heavy in one. Some people write me letters, complaining that they laugh when they read my books on the train! It’s very embarrassing for them. Those are the letters I like most. I know they are laughing, reading my books; that’s good. I like to make people laugh every ten pages.
Recorded John Wray, The Paris Review, issue 170, Summer 2004, 1 January 2004 source ↗
Question What part of your job would surprise outsiders because it takes up so much of your time? Craft & work
I myself, as I’m writing, don’t know who did it. The readers and I are on the same ground. When I start to write a story, I don’t know the conclusion at all and I don’t know what’s going to happen next. If there is a murder case as the first thing, I don’t know who the killer is. I write the book because I would like to find out. If I know who the killer is, there’s no purpose to writing the story.
Recorded John Wray, The Paris Review, issue 170, Summer 2004, 1 January 2004 source ↗

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