Often it’s the deadline, to be really honest. Also, research is my favorite part. I could just research forever. But then I actually need to produce. Maybe that’s why the offering part is so beautiful, because each offering/performance is different because it’s a different time, it’s a different space, and I’m a different person. Each day you’re a different person, and because the people you’re doing this with are also different, the work changes. Maybe you’ve found something else that inspired you, so you add it and let the work grow. It grows infinitely, alongside you. With video, it’s set, so it’s harder to add to it even if sometimes you’re kind of like, “Oh my god, I would love to add this.” With embodied practice it’s easier. It grows with me. That’s something I love, especially because my research never ends. It’s ever evolving.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Gary Canino, The Creative Independent interview source ↗
Others on this question
View all 69 →I don’t know. A good friend of mine is sending her album to mastering now and she’s been reaching out to me being like, “Let me know if you need to talk about this because this is the really hard part.” I’ve been very grateful for my community right now, but still, I don’t know. I do think it will get to the point where I just start enjoying listening to the sessions and listening to the songs, and I’m not thinking about what it needs or what it doesn’t. I do think I’m close with a lot of them.
For me, especially with this last book, I had nothing else to say about these characters from this point in their lives. I felt like I’d reached the end of what they’re telling me—it wasn’t even what they’re telling the story, it’s more what versions of them I needed at that time.
I don’t know if they ever really are. I mean, there are often works that you make for a particular moment and then maybe the next time you show them, you show them in a slightly different way so that they become more precise or more communicative. So they’re constantly evolving. Also, when you stick one work next to another work, suddenly it has a new resonance. You could almost argue that, in that new context, it’s a new work again. So I don’t know if you ever really finish anything.
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