I think it’s very different in what I do. Edison’s work was so much tinkering and trying it out and empirical testing. So much of my work is writing. I don’t know what you call the writing, it’s true that the actual inspiration, say for writing an essay, the outlining of it is probably a 15-minute to half-hour procedure, then you may spend about 20 hours writing it. But the writing isn’t perspiration in the same sense. It’s not inspiration, but it’s something in between. Any profession has a vast amount of tedium attached to it. There’s no sense not admitting it. If you’re passionate about it, tedium can be — not exactly a joy — but can be perfectly tolerable. The tedium of a pianist is 10 hours of practice a day or whatever, not all of which is inspirational. The tedium of an experimental scientist is calibrating the machines and doing it over and over again. The tedium of a paleontologist is poring over a microscope, or using a dental pick to chip away the sand grains from the fossil, or looking at the statistical figures in the columns of a computer printout. Every profession has massive tedium, that’s certainly true. You cannot be a successful professional (without it). But I think if you’re committed to it, as they say, it goes with the territory. It’s part of the work.

It comes out of an intuition, or a learned intuition, I guess. You study a long time ’til you can do it. But it’s from looking around you, it’s from understanding what’s happening in the culture, what’s happening in the world.

Anyone can talk. Anyone can write. It takes discipline and rigor

Well, I work from the moment I wake up to the moment I go to bed. And I work seven days a week.

I wrote a little book called Screening History , in which I go in great detail into the movies that affected me growing up. This was in the years of puberty, and so on. The Prince and the Pauper , based on Mark Twain’s novel with the Mauch twins in it. All of the propaganda films I loved, because they were political.

I remember being present when a Jesuit priest in Rome asked Tennessee Williams, “How do you write a play?” and Tennessee said, “Well, I start with a sentence.” Well, I start with a sentence, and that’s how you write a book.