The question

What important truth do very few people agree with you on?

Originally asked

Peter Thiel, to job candidates, Zero to One, chapter 1, 2014

Peter Thiel, Zero to One, chapter 1, where it is introduced as his job-interview question. Thiel supplies his own standard: a good answer takes the form "most people believe x, but the truth is the opposite of x."

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Others on this question

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Alexa Chung English television presenter
I don't want to look sexy in photographs. I think it's an easy option. I'm so sick of girls pushing their boobs up in Myspace photographs. I hate the way women want to be "hot" all the time.
Recorded Eva Wiseman, Women, The Guardian, 6 July 2008 source ↗
Aziz Sancar Biochemist; Nobel laureate in chemistry for mechanistic studies of DNA repair
In an interview, Sancar stated that in his youth, he was an idealist but he didn't participate in activities.
Recorded Anonymous, Interview, Wikipedia, 1 June 2024 source ↗
Jacqueline Novogratz Founder and chief executive of Acumen
That human beings are selfish. I don’t believe it. We have angels and monsters inside each of us. What we need to do better as a society is create systems and opportunities to bring out our most generous.
Recorded Acumen America, 22 May 2024 source ↗

More from Kurt Vonnegut

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Question How has a failure, or apparent failure, set you up for later success? Do you have a favourite failure? Failure & regret
I would try to write my war story, whether it was interesting or not, and try to make something out of it. I describe that process a little in the beginning of Slaughterhouse Five; I saw it as starring John Wayne and Frank Sinatra. Finally, a girl called Mary O’Hare, the wife of a friend of mine who’d been there with me, said, “You were just children then. It’s not fair to pretend that you were men like Wayne and Sinatra, and it’s not fair to future generations, because you’re going to make war look good.” That was a very important clue to me.
Recorded George Plimpton, David Hayman, David Michaelis and Richard Rhodes, The Paris Review, issue 69, Spring 1977, 1 January 1977 source ↗

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