Well, that all comes from your network. And so even today with, well over 300 million people on LinkedIn, most people have yet to learn how to use their network, in order to ally with their network, in order to find the right economic opportunities. And that’s one of the things that I’m still working on.
Originally asked
Vogue, to one guest at a time, on camera, 73 Questions
Vogue's 73 Questions has repeatedly used this direct advice-network prompt.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Filmmaker Magazine, March 2013 source ↗
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View all 22 →Many times when I found myself at a personal crossroads – when I graduated from Hitotsubashi University and was unsure about whether I wanted to go into research or become a businessman, when I quit my job at the Industrial Bank of Japan (currently Mizuho Bank), when I founded Rakuten, when I tried to buy Tokyo Broadcasting System (TBS) – I always visited my dad in Kobe to ask his advice. Like my wife, my dad was a behind-the-scenes counselor to me.
I also think that most of us get wisdom from a wide range of sources, from the people we know and love, from strangers on the street, from therapists and counselors, from teachers, from books, from podcasts, so I turn in all of those directions.
I literally just call my five or ten best friends around the world. Sometimes I just go through the list. I call Aly. Ah, no answer. Okay, let me try Mitra. Ah, no answer. Okay, let me try Zita. "Hey, I got an idea. Let me run it by you? Okay? You got a minute?"
More from François Ozon
View profile →That was the case for me when I made Angel, which was in English and was a big flop.
No, I’m a very bad father, I abandon all my children. (Laughs.) Right now I’m in the present, and the future – what’s past is past.
Truffaut, Rohmer, Claude Chabrol, they were the great directors of the Nouvelle Vague. They found the freedom to make exactly the films they wanted. Chabrol was important because he was able to make very strong portraits of women and very complex portraits of women. He was very clever and he had a lot of joy and pleasure. He didn’t have some big theories about his work, he just enjoyed making films. I try to work like that.
I think they have no duty. But we do have the opportunity, not to change the world, but to make people think differently.
The truth is that the actresses supposedly have to get operated on and go through cosmetic surgery.
I didn’t think anything actually [before],” he nods. “And now I ask many questions. Because I don’t know what I will do in such a situation.
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