What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Okay Kaya said elsewhere, not written here
I’m not sure. I haven’t actually felt very stuck creatively or sonically. And when I think about it in hindsight, it’s just been on the forefront of my mind and what I think about. That has meant that I haven’t really thought about a lot of the other things that I do. But I think knowing that I have this thing that I can come back to that is interesting for me in my time here on Earth is healing for me, and makes me able to go out and do a lot of other things. It’s a bit of a lifeboat. So it helps having creation in music, but I don’t know if it’s implemented in the other practices. It’s like I have a sweet little invisible cat on my lap that I can stroke in the real world.

Lior Phillips, The Creative Independent interview source ↗

Others on this question

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Ramin Djawadi Film and television composer
I’m very much like Hans, yes! I think part of the reason is just because I learned from Hans, he has been a big mentor and a great friend for me, and I remember when he told me this, it actually made me feel comfortable in my process! We’re the same way, and so that actually made me relax a bit. Once I realized that, it helped me to see that the steps I need to take, you know, sitting down, thinking about what were my initial ideas? What instrumentation do I need? You just place yourself into the project and the ideas will hopefully come. Sometimes it comes easier than other times, sometimes it’s tough especially when a deadline is looming… But that’s the nature of the game. I just try to do the best I can do in the moment.
Recorded The Talks, 30 April 2025 source ↗
There’s a lot of ways to talk about this but in terms of writer’s block, every block I’ve ever had, every metaphysical obstacle and every obstacle inside of me that has prevented me from doing something that mattered to me always factored down to fear. It was really a matter of, in most cases, lowering my standards, and it was this kind of perfectionism. Like, I can’t write badly, I can’t fail, I can’t be rejected. If it becomes okay to be rejected or to fail or to stutter in your attempt at something, then it becomes more possible to do it. If I have to do it perfectly the first time—and my default is that it should be perfect the first time—then I become immobilized.
Recorded Resham Mantri, The Creative Independent interview source ↗
Ryuichi Sakamoto Composer, pianist and record producer
You know, I have doubts, but the images, like the movies, always inspire me. So when I’m empty, vacant, I start watching any movie, b-class, c-class, it’s okay. B-class kung fu movies are so inspiring. The music, for kung fu movies, very old kung fu movies, not sophisticated ones, is so inspiring. They’re so wild. I was watching those kung fu movies while I was making async .
Recorded Brandon Stosuy, The Creative Independent, 15 January 2021 source ↗
Hayden Pedigo Guitarist, artist and model
If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
Recorded Jeffrey Silverstein, The Creative Independent, 12 March 2024 source ↗

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