It comes in fits and starts. In the past I thought about them as creative blocks, but I don’t really think about it like that anymore. I just think about it as a season. That’s okay.

I had really bad writer’s block when I wrote Strangers. I didn’t really write about the stuff that I wanted to write about because I hadn’t admitted it to myself. And I think sometimes writer’s block is about stuff like that. You’re not being honest with yourself. I finally broke through it, but I did so by writing an incredibly apocalyptic record that was very symbolic. I told Randall I wrote a record about the end of the world, and he said, “I don’t think this record is about the end of the world. I think this record is about the end of your world.” And I was just like, “Fuck you.” But at the same time he was really right. It definitely was an anxiety record.

You just have to remember that you’re a creator and not a machine. You just have to know when you’ve got to step aside and either move onto something else or just stop until the moment feels right again.

You can move on, or if something gets overworked and you can put it down, cover it up, or something, and then come back to it and take it back to a place where you were still excited about it. I’m excited about having that opportunity again. I’m probably going to buy some land, but I don’t want to have agriculture be such a huge part of my life. As much as I believe in agriculture—and I think it’s very important that people know how to grow their own food—it’s another thing to take it on as another business and try do that at the same time as having an art career. I would not recommend it.