From one particular piece of the sky an unclassifiable signal sometimes recurred and my brain started to say: “You’ve seen something like this before, haven’t you? You’ve seen something like this before from this bit of the sky , haven’t you?” I got out previous recordings from that bit of sky. It often wasn’t there, but when it was, it was keeping its place amongst the stars.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Arriel Vinson, The Creative Independent interview, 6 January 2025 source ↗
Others on this question
View all 63 →First I like to do the guitar part, just because I feel like the guitar parts in most of my songs provide the foundation of the song. Then I’d go back and record the drums, and then figure out what other instruments were needed to fill out the song. It’s pretty exhausting being the only person in the studio, especially when it came to the arrangements. It made me miss being in a band with other people, because at least then you could be like, “What do you think? What should go here? Does this sound OK?” Whereas if you’re just by yourself, you’re like, “What do I think?” That was definitely hard because we had to do things quickly and it was easy to lose perspective and get lost in it.
Sometimes I start a story with just a feeling. Often it is a place or an image. A house, a tree, a mountain. A sentence or a phrase. Sometimes it is like a line of music, a tone. Sometimes it is a character. It’s happened a couple of times that I start from one of those places and work for a few days or weeks and one morning I will wake up with a sentence that makes me realize that one of my new characters could be related to one of the characters I wrote about 45 stories ago. Something in my unconscious mind will weave those people together and put them in the same place. Sometimes I find a way to cast an image or tone, attach it to a character I’ve already worked with. Something in me wants to connect layers over time… not just families but friendships over time, over generations. I think a lot about how we build community over time or place. Sometimes it seems that I can’t work on a project really hard without connecting it to this gigantic web that I constructed over the years.
That blank sheet of paper stage is one of the hardest stages, and one of the reasons it’s hard is because at that stage there’s nobody counting on you but yourself. Today it’s easy because we’ve got millions of customers counting on us, and thousands of investors counting on us, and thousands of employees all counting on each other. In that beginning stage it’s really just you, and you can quit any time. Nobody is going to care, so you set about doing the simple things first.
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