I’m very much like Hans, yes! I think part of the reason is just because I learned from Hans, he has been a big mentor and a great friend for me, and I remember when he told me this, it actually made me feel comfortable in my process! We’re the same way, and so that actually made me relax a bit. Once I realized that, it helped me to see that the steps I need to take, you know, sitting down, thinking about what were my initial ideas? What instrumentation do I need? You just place yourself into the project and the ideas will hopefully come. Sometimes it comes easier than other times, sometimes it’s tough especially when a deadline is looming… But that’s the nature of the game. I just try to do the best I can do in the moment.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Brandon Stosuy, The Creative Independent, 13 March 2026 source ↗
Others on this question
View all 66 →I love reading diaries of artists and writers because it’s really hard to explain the creative life to the average person. People always ask me, “What do you do all day?” Your daily life can feel a little bit indulgent. When I read diaries and letters, I’m always struck by how banal it all is. It’s not about creating most of the time. It’s just about living. I find great comfort in those texts.
I don’t. The process of trying to get to something is part of it. Sometimes I don’t have much of an idea initially. For me, studio time is also about reading and looking at things. I might spend a couple weeks just reading something or looking through images or doing image searches or going to museums and thinking in front of great paintings. And then at some point I start to get back to my own ideas and how they can form into something that has meaning for me.
There are a few. As far as getting started, lots of people who really want to make a song have figured that out already. I very rarely get asked for advice from people who have never written a song and want to know how to get started. It’s usually about getting stuck or feeling like they’ve painted themselves into a corner. I remember getting asked a question from this one kid who was probably 13 years old. He wanted to know if it was okay to always write in A minor. He liked writing classical piano pieces and his favorite key was A minor. My favorite key is also A minor, so he wanted to know if that was okay.
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