Sometimes some of the things I’ve been working on for years and years, they’re just not getting any better or not going anywhere, so they fade away. And sometimes you start something, and within a few days, it develops enough that it feels complete. Each piece is different and develops itself in a different way. Some artists make the same thing for 50 years, and that doesn’t interest me. My current show at Lisson Gallery will be my 18 th with this gallery, I’ve been working with them since 1974, and all the shows have been different. You don’t repeat a show. So this solo show is comprised of pieces I’ve made in the last three years.

I think that there is a lessening of attention. Sometimes when a series is done I still make a few extra pictures where I’m still kind of batting the dead mouse around and sometimes those are where the best pictures get me because I’m not trying as hard, or I’m more open-minded to let other things come into the picture. That’s what happened with one of my favorite pictures in the book, the one where everyone’s in the sand and they’re making out. I actually ended up dating one of the girls in this picture afterwards.

I move back and forth. The Tribe book is easier. I have a proposal and a plan for that, so it’s easier to know when that’s done because there’s a hard end. There’s a certain amount of chapters, and that whole thing. But poetry books, at least in my experience, those tell you when they’re done. My first book told me when it was done. It told me when I had mined everything I could out of the emotional landscape I was trying to create, and it pointed me to an exit strategy. With poetry books, I have been lucky to have my poems do that. My poems tell me how they want to live in the world, when they want to live in the world, and when they’re done being played with… Sometimes, it’s over the course of a month with one poem, or sometimes it takes a little longer than that. I think the hard work is knowing when to pull yourself back so you don’t overextend or let your projects blend together.

Well, Tour continues because I exhibit it with a growing archive of performances. For instance, I have something upcoming that I’m working on at Pioneer Works with Stanley Love and his dance troupe. It’s exciting, and it keeps the project present and alive. So this particular project, Tour Without End, becomes self-fulfilling.