I like to hammer on and get it done. That doesn’t mean you should rush it or be impatient. I’m very fortunate, because doing what I do, there is a matter of deadlines that come into place if I’m making a record. There is the pressure of having members of my band that I employ who have mortgages, and then management and record company who rely on me to deliver. But I’m glad to have that pressure. Again, it’s a privilege. It means I’m doing well, but it means I have to deliver. It gives you an endpoint.

We called that the 'story crisis,' and we never expected to have another one. But you know what? There's been one on every film. We don't stop production for five months. We've gotten a little smarter about it. But there always seems to come a moment where it's just not working, and it's so easy to fool yourself - to convince yourself that it is when you know in your heart that it isn't.

I look for how to get out of it. I try to use here [points to her head]. I tried to read, I tried to talk to others. I tried my best to get out of it. I had lots of times climbing one Everest to find that there is a bigger Everest, but don’t you find your life like this too?

I do get creative blocks. When I get into zones where I start second-guessing my subject matter. When I’m on the end of the spectrum where I’m like, “Oh my god, this is so repetitive and I’m sick of this lady’s face.” At times I get so frustrated with myself and with her for that reason. The best thing for me to do at those times is not to rebel against the subject matter. When I’m being too hard on myself, I need to accept that there’s more I have to say, visually, about the things I’ve been working through for a long time.

Screenwriting is more lawyering than writing.

Just circumstance. I was running a small theatre group and somebody didn’t deliver a play.

I love making jam. Plum is best.

I took Nicole out to dinner for the first time on 19 October, 1991. After that, everything changed.

There is an awful lot of pious theatre at the moment, where you go to have what you already believed reinforced.

As an adolescent, I read Raymond Williams, George Orwell and Simone de Beauvoir – a crash course in human decency.