And I acted when the actors didn’t show up. As the director, I knew all the lines and I took over more times than I wanted to. I didn’t know much about directing, but I was the only one willing to do it. Someone had looked around and said, “Who’s going to be the director?” I said, “I will.” I said that because I knew my way around the library. So I went to look for a book on how to direct a play. I found one called The Fundamentals of Play Directing and checked it out. I didn’t understand anything in it. It was all about form and mass and balance. I flipped through the book and there in Appendix A I discovered what to do on the first day of rehearsal. It said, “Read the play.” So I went to the first rehearsal very confidently and I said, “Okay, this is what we’re going to do. We’re going to read the play.” We did that. Now what? I hadn’t got to Appendix B. So I said, “Let’s read the play again.” That night I went back to the book and sort of figured out what to do from that point on.
August Wilson has not joined FLAPSS and has not endorsed it. This page is a reference record assembled from published interviews and public remarks. Every answer below is a direct quotation with the source and date shown next to it.
August Wilson
Playwright; two Pulitzer Prizes for Drama
United States · 1945–2005
Arts and letters
About
American dramatist best known for a ten-play cycle chronicling twentieth-century African American life, most of it set in the Hill District of Pittsburgh where he grew up. He left school at sixteen and educated himself in the local library. In 1968 he co-founded the Black Horizons Theater in Pittsburgh with Rob Penny.
3 answers
Every quotation above is reproduced from the source shown beside it and has not been edited. August Wilson did not write these answers for FLAPSS. Request a correction or removal.