How does a new work begin for you?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded André Aciman said elsewhere, not written here
I think they’re different. They’re different modalities. When you start an essay, you know you’re going to write an essay. I mean, when I started my essay on “My Night at Maud’s,” it was almost as if I was going to write about myself, not about the film, and I love this mixing of the two.

Maddie Crum, The Creative Independent interview source ↗

Others on this question

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Richard Feynman Theoretical physicist; Nobel laureate in Physics, 1965
Then I had another thought: Physics disgusts me a little bit now, but I used to enjoy doing physics.  Why did I enjoy it?  I used to play with it.  I used to do whatever I felt like doing—it didn’t have to do with whether it was important for the development of nuclear physics, but whether it was interesting and amusing for me to play with.
Recorded Excerpt from “Surely You’re Joking, Mr. Feynman”, Engineering and Science / Caltech Magazine, 1985 source ↗
David Hare Playwright and screenwriter
Just circumstance. I was running a small theatre group and somebody didn’t deliver a play.
Recorded Jasper Rees, Q&A, The Arts Desk, 10 October 2009 source ↗
Cheryl Strayed Author of Wild and Tiny Beautiful Things
The way I often find what I’m going to write next is by writing.
Recorded Second audience member, Guernica, June 2013 source ↗
It depends on the project. I’m working on a novel now, which started by taking a weird interest in something and circling around it. I think in the early stages, I like to do a lot of really rough draft brainstorming, trying to generate a lot of words, even though I know they’re not going to be part of the final draft. I find first drafts challenging and, actually, I prefer the revision stage, because it seems so daunting to create something out of nothing.
Recorded Shy Watson, The Creative Independent interview, 7 March 2023 source ↗

More from André Aciman

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Question How do you know when a piece of work is finished? Craft & work
Well, if you write the way I do, which means that you start something and you rewrite it, especially the beginning part, you rewrite it time and time and time again, at some point you feel, not that it’s beyond repair, but that there’s nothing more you can do to fix it. In other words, as far as you’re concerned, that’s what you were going to write.
Recorded Maddie Crum, The Creative Independent interview source ↗

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