Which living person do you most admire, and why?

Originally asked

The Guardian, to a different person each week, The Q&A

The Guardian's Q&A repeatedly uses this prompt, sometimes dropping 'living' while retaining the same comparative judgment.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Leelee Kimmel said elsewhere, not written here
I really admire Meryl Streep. I am a very big Bette Davis fan. And I like Anjelica Huston, who also directs.

Andrew D. Goulet, Interview, The Harvard Crimson, 5 October 2001 source ↗

Others on this question

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Rita Wilson American actress, singer, and producer
I really admire Bonnie Raitt. She is a singer songwriter who has been doing what she has been doing for so many years and she recently won the song of the year Grammy for Just Like That. I loved the validation that creativity never stops, you can keep doing the things that you love.
Recorded The Guardian, The Q&A, The Guardian, 1 April 2023 source ↗
Martin Sheen, simply the kindest and most fun-loving person and serious activist I’ve ever known. If Jesus was alive today he’d point to Martin Sheen and say, “That’s what I was talking about.”
Recorded The Q&A, The Guardian, 11 April 2026 source ↗
Kirsty Wark Scottish journalist and television presenter
People in their 80s who are still volunteering and giving to the community.
Recorded The Guardian, The Q&A, The Guardian, 11 December 2010 source ↗
Malala Yousafzai, Martina Navratilova, Misty Copeland, and Hillary Clinton.
Recorded Vanity Fair, The Proust Questionnaire, Vanity Fair, March 2016 source ↗

More from Leelee Kimmel

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Question How much rewriting or revision do you do? Craft & work
It all depends. I attack and then keep attacking them until they tell a story and maybe it’s boring or discordant or I’m not interested in that story anymore, so then I put them away. Sometimes for a year. And then I take them back out and if I disagree with something strongly it’s kind of exciting because I can really be loose on the canvas. When I’ve worked on something for years there are moments where it could be a little scary to be so loose, because you’re destroying so many hours of work. But I think that’s why when I’m a little delirious in the middle of the night the magic happens, or it doesn’t. So sometimes I then work toward building different parts of the painting, and then there’s a new story. If it doesn’t have a story to tell, I’d eventually declare it’s a dead painting. In which case, a la poubelle , to the garbage.
Recorded Phong H. Bui, The Brooklyn Rail, In Conversation, 1 May 2024 source ↗

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