The task of finally making a decision to hang up my racquet felt a lot more difficult than winning seven matches in a row in the Australian heat. It took me several agonizing months to finally come to the decision that my chronic injuries will never again let me be the tennis player that I can be. Walking away from the sport, effective immediately, is the right decision for me and my family.

As a very young singer, I was invited to the opera house in Berlin by the then-director of the opera house, Egon Seefehlner, and I had one opera to my name that I knew. He felt that there was a lot that I could learn there, which was very true, and I was so lucky to be able to have this opportunity. The thing that was happening is that I kept being offered operas that I knew that I wasn’t ready to sing, just from an experience point of view, as well as being 24 years old. So I was always asked to sing things that I thought, “Well no, I really don’t think I should sing that now. I need to sing that maybe in five years, or maybe in 10 years, but not right now. Couldn’t I please sing something else?” And that became a difficulty for me. And after being at the opera house for three years, and singing Elsa and Elisabeth — the Wagner roles that are not sort of the heavy Wagner roles — and then Mozart operas that suited my voice at the time, I was continually invited to sing things that I just felt I shouldn’t. So I took it upon myself to go to speak with the artistic director to say that I thought I should leave the opera house, and come back in some years when my maturity sort of chronologically would have caught up with the invitations that I was being offered. Of course, considering that he’d taken me into the opera house when I knew one role, he wasn’t all that happy. I thought he’d say, “Oh, what a smart girl. Oh yes, absolutely. That’s what we’ll do.” No, no. He was absolutely furious.

But I'm ready for what's next after rugby. Being able to not just say that, but to truly feel it, is a privilege. Ultimately, getting to leave your sport on your own terms is all you can really hope for as an athlete.

No, because I was set for it. My core, my whole life was medicine. I wanted to become a specialist. So for ten years I concentrated solely on medicine. It took ten years to become a consultant in neurology.

I have a problem with my ears. I really have a problem. When I was living in the city, I threatened people because of some noise they were making that was bothering me. It sounds psychotic, I know. Once it was a beep from a fax that I heard in the night, very far away. I went to every floor, to every neighbor, putting my ear to the door, until I discovered where the sound was coming from. Then I would tell them, “You have a fax machine that’s making this sound and it’s driving me crazy.” “You’re four floors away from me—how can you hear that?” they said. “You’re crazy, you’re a hysterical woman.” Whatever, call me whatever you want, but I hear it, and I can’t sleep because of it.

Yeah, I remember exactly that—I was in San Francisco, playing at a beautiful venue, and the siren of an ambulance came through, and it fit so well with the song that I started to play more to draw it out. I like to play in more noisy places so that I can take advantage of all the sounds helping me to build new things. But the one I remember the most is that siren in that venue. Sometimes I’ll play in venues where they’ll have coffee machines or milkshake machines—all these noises that I hated maybe five years ago—I love them now.