How do you know when a piece of work is finished?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Justine Kurland said elsewhere, not written here
I think that there is a lessening of attention. Sometimes when a series is done I still make a few extra pictures where I’m still kind of batting the dead mouse around and sometimes those are where the best pictures get me because I’m not trying as hard, or I’m more open-minded to let other things come into the picture. That’s what happened with one of my favorite pictures in the book, the one where everyone’s in the sand and they’re making out. I actually ended up dating one of the girls in this picture afterwards.

Amanda Jane Robinson, The Creative Independent, 16 July 2020 source ↗

Others on this question

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Laurel Halo Composer, producer and musician
It’s always hard to decide when something’s done. To go back to the painting metaphor, maybe deciding something’s done is just letting the canvas dry and stepping away. There is this simple resignation that takes place. The benefit of working with collaborators is you get the take and that’s what you have. So that’s also something that helps push projects to completion. And also, scary deadlines. Scary deadlines are always a great way to finish projects, which is why composing can sometimes be a great antidote to whatever baked-in perfectionism I might have. With artist records, you can take years and you can say this isn’t good enough, but then you have a deadline for a project and they’re like, “We need the stems by Tuesday at midnight,” and you have to do it. Accepting something is good enough is a skill in and of itself.
Recorded Arielle Gordon, The Creative Independent, 23 March 2026 source ↗
Marissa Zappas Perfumer and writer
I think it’s similar to writing a poem, in a way. It’s almost like, when there’s nothing left to remove from the formula, it’s done. Or honestly just when I get tired of working on it, that’s real.
Recorded Shy Watson, The Creative Independent, 25 November 2022 source ↗
Michelle Rial Illustrator and author
I don’t know. Right now I’m just in the insecurity portion and nothing feels good enough. But I think one way that I can answer this is, if I go back to it and I have a little chuckle with myself, then I feel like it’s good. I still think it’s funny. There are some parts of this new book that I look back at and I feel mortified. There are some parts where I’m like, “Wow, this person really gets me. This me really gets me.” And it feels good. Because even though it’s me, I’m really connecting with it. And hopefully, someone else will feel that way.
Recorded Janet Frishberg, The Creative Independent, 7 September 2021 source ↗
Simon Starling Conceptual artist
I don’t know if they ever really are. I mean, there are often works that you make for a particular moment and then maybe the next time you show them, you show them in a slightly different way so that they become more precise or more communicative. So they’re constantly evolving. Also, when you stick one work next to another work, suddenly it has a new resonance. You could almost argue that, in that new context, it’s a new work again. So I don’t know if you ever really finish anything.
Recorded The Talks, 2 October 2019 source ↗

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