How much rewriting or revision do you do?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Sonia Sotomayor said elsewhere, not written here
Because I have to read everything I write and edit it. So I’m not a natural writer. She’s more a natural writer than I am. But I can do what I need to do to give myself enough time to write papers, edit them, before I turn them in.  And that’s what I still do.

Washington, D.C., Academy of Achievement, 6 December 2016 source ↗

Others on this question

View all 58 →
John Gallaher American writer
From what I said, it might seem like I pile up all this mental whatever and then BOOM, out pops a poem! It’s really not like that at all. I was simply speaking of the composition process, not the full process. So, yes, I go through the arc of associations, memories, thoughts, until I get to something that feels summative. That’s draft one. Then, for the rest of the existence of the poem, until it’s published or discarded, I read through it, and when I come to something that doesn’t feel right, I imagine where it could go instead. I think that’s what most people do? I do massive revisions to what I write over time. Two writers I’ve collaborated with, G.C. Waldrep and Kristina Marie Darling, both of them are much more assured with what they make than I am. Or at least, that’s how it feels to me. When we’d revise together, their revisions were much more of a honing, while mine would be dumping three quarters of the poem and putting a whole new thing in there. I hope I didn’t frustrate them too much. I know I did at least a little.
Recorded Tony Leuzzi, The Brooklyn Rail, In Conversation, 1 April 2020 source ↗
Tayi Tibble New Zealand poet
I actually really love editing poetry. It’s my favorite part. I love how you can change just one word and it suddenly elevates the line or even the whole poem. When I’m writing poetry, I’m looking and reading through and I’m really interrogating each word and trying to figure out: Is this the best word? Is this exactly what I’m trying to say at this moment? And I do a lot of reading aloud because cadence and rhythm are really important to me. I try to feel where the lines are sitting or where the stresses are, where the hits and the rhythm are. I also like to use those read-aloud functions on the computer because I feel like if it can still sound somewhat bearable with this monotone voice reading it, then that’s probably going to be alright—it’s the final test.
Recorded Shy Watson, The Creative Independent interview source ↗
David Hare Playwright and screenwriter
When I’m ready I’ll transfer what I have to the computer and rewrite.
Recorded My writing day, The Guardian, 4 November 2017 source ↗
Carlos Fuentes Novelist and essayist; Mexico's ambassador to France
Not that important. I seem to rewrite in my head a great deal. I write in these English ruled notebooks. So I write on the right, and then I correct on the left. Then, when it’s typed out, I even make another correction, and then maybe in the typed sheets also. But not that much. I seem to have a great facility to go right into what I want to say. I do correct, but not like Balzac, who went crazy over the printing presses. He was correcting at the last minute.
Recorded Academy of Achievement interview, 2006 source ↗

More from Sonia Sotomayor

View profile →
Question What is your favourite side project? Craft & work
I didn’t start out thinking I would be a children’s book author. I didn’t start out thinking I’d be an author at all. If you know my biography, you’ve heard that I spoke Spanish before I spoke English and struggled until my young adulthood with learning how to speak and write English properly. It was Philomel Books and [publisher] Jill Santopolo who came to me and proposed writing a children’s picture book about my life.
Recorded Maggie Reagan, Kirkus Reviews, 2025 source ↗
Question When were you happiest? Time & hindsight
And I didn’t know at that moment what my impact was. I actually fell asleep that night crying. But the next morning, my mother woke us up, and she said she doesn’t remember this dress, but it was a black with white polka dot dress. And her hair was finally properly combed.  She had for the first time in a year some makeup on, and I knew my mom was back. And that may have been one of the happiest moments of my life.
Recorded Washington, D.C., Academy of Achievement, 6 December 2016 source ↗
Question How has a failure, or apparent failure, set you up for later success? Do you have a favourite failure? Failure & regret
Never give up. No matter how hard the challenge might be, no matter how hard a moment might be in one’s life, there is still hope. From every failure I’ve had, I’ve learned a lesson that has propelled me to something else that has actually been better than whatever I thought I could never get over.
Recorded Maxwell Surprenant, Scholastic Kids Press, 24 September 2018 source ↗

More on craft & work

Also answered this

Winston Churchill, Agnès Varda, Lillian Li, Jade Catta-Preta, Melissa Febos, Rax King

Search the directory for somebody in particular.

Explore further

Report this answer