I’m very happy and I’m very proud, because to be in the line which contains so many really great writers and poets gives me power to use my original language, the Hungarian language. I am really very proud and very happy to use this little language.

Getting Colombia to be recognized for its gastronomy, to have the eyes of the world on our cooking, is a great achievement that I am very proud of today.

I think three things. One is the great advances in auto safety. I mean, there are tens of thousands of people being saved every year because cars are safer, and millions of people over a decade, injuries prevented. I think that’s a good example of the need to make technology more humane. We may benefit from a lot of technologies, but they exact a cost. Emphysema, cancer, soil contamination, contaminated water, death and injury on the highway. We’ve got to put more effort on making them more humane.

I don’t know if I’m proud really, but if I have to compliment myself, I would just do it on those occasions where I have had a chance to save a life of a person or a child. This is in my eyes a real achievement. The rest? You try, but the ultimate test is saving life.

Well, I am always trying to study, and when I came to New York, I was fortunate enough to meet Stanley Crouch, who is a writer. He had tremendous influence on me intellectually, because he had like a million books in his apartment, and a thousand records. So when I met him and saw all the records and books and stuff, and he didn’t graduate from college either, he just would voraciously read books. Every time I’d see him, he’d be talking about, “Hey, check this book out.” And I didn’t know any of that stuff, and I felt stupid when I was around him. And he knew more about the music than I did. I was 17 or 18, and he’d be saying “Well what about this record?” Him and also Albert Murray, who was Stanley Crouch’s mentor. Albert Murray has written the greatest books on jazz, Stomping the Blues, which is on blues, but it is one of the greatest books written about the poetics of jazz music, what the musician should be trying to do. And from having the opportunity to be around Stanley and Albert Murray, Stanley much more than Albert Murray, because I’m always too embarrassed to be around him, because he knows so much I always feel like I’m just in the way. But it really made me develop my intellectual curiosity, and Al Murray would give me books to read, and tell me where to go, and tell me about an important exhibit in town, “Go check this out.” I talk to Stanley almost every day. We never talk about just anything, it’s always something definite: “Did you check out this new Romare Bearden book that they put out?” He keeps me on a certain level of intellectual engagement. And always understand that you have to constantly work to develop your intellect, and just increase your curiosity.

I started saying in 1985 I don't think we should have a music talking about niggers and bitches and hoes. It had no impact. I've said it. I've repeated it. I still repeat it. To me, that's more damaging than a statue of Robert E. Lee.