When young artists ask, “How can I get past these things?” I respond: “For one thing, try doing your very worst work. Do the worst song you can possibly think of. At the very least, you’ll get some idea of what your rules are. At the most, you’re going to get something that’s better than anything you’ve ever done because it has a lot of pure energy.” Just make it bad. Just make it really bad. You know, so pure and bad. I have tried that. That works well. Sometimes I clutch on that, too. I think, “No, that’s so bad it’s good.” Go on and on and get yourself twisted up into a language!
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Brandon Stosuy, The Creative Independent interview source ↗
Others on this question
View all 66 →I would say I feel stuck more often than I feel creatively flowing. It’s about not beating yourself up about that, not getting on your own case for long periods of not being productive, because it can happen in a big sudden burst. And usually, forcing it too much has never really resulted in good stuff. So, it’s a lot of being patient and forgiving of yourself. I watch a movie every night and listen to a lot of music. I’m constantly surrounding myself with stimuli, that anything could be the spark that gets the creative juices flowing again. I have experienced times, though, where I’ve found it’s not happening, and I get tired of movies and music and I need something else. So, then I’ll go to an art museum or go see an orchestra perform and see if that helps.
I don’t. The process of trying to get to something is part of it. Sometimes I don’t have much of an idea initially. For me, studio time is also about reading and looking at things. I might spend a couple weeks just reading something or looking through images or doing image searches or going to museums and thinking in front of great paintings. And then at some point I start to get back to my own ideas and how they can form into something that has meaning for me.
It’s lame to say, “Well, there’s this book,” but I would only mention this book—The War of Art by Steven Pressfield—because it is a super-easy, fast read. And it really is written for artists and entrepreneurs. One of the concepts that he lays out is, it’s a matter of us not brushing over the things that are important or giving ourselves excuses to not do the work that we don’t want to do.
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