The question
What do you do when you feel creatively stuck?Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
I do believe that some of the funniest people you’ve ever met might not ever be on a stage. Similarly, some of the most talented musicians you will ever hear are playing in a little house somewhere across the world. Some of the most profound exchanges of words happen between two people who are channeling an intimacy and depth of humanity which not all of us will hear.
Sania Khan, The Creative Independent interview source ↗
Yes. I try not to overdo it. I think it comes down to the people, and there are several people I take the time to talk with. Different types of friends. I also like the transportation time when I’m traveling, like on an airplane. Those times allow me to see things I was missing, when I was only looking at the outside. Perhaps I travel in seek of that.
Absolutely. I also have some ideas that are more philosophical—or maybe even spiritual—that have to do with my faith in language as material. I’m interested in allowing as much of my unconscious to come through. I think my own consciousness is not so interesting and I don’t generally write to express myself. I write to find deep truths for myself and for other people and to make poems that feel like they’re connected with a deep, essential aspect of human experience. Even if the poems themselves are very specific or particular, somehow they’re connected to those forces. That’s what I’m looking for in poetry. I need to get out of myself, in a way. I believe in language and I want to subject myself to it. That’s why I like working with found text or just putting myself out into the world where other people are talking, listening to what they’re saying, walking by signs and looking at newspapers and things. Picking up on the glimpses of truth in language, then trying to work that into the poems.
Oh, there’s so many. Usually it’s when I’m overwhelmed, because I get defensive and I just want to like hide under my couch. I’m working on a project now that I’ve been stuck [with] on a problem for four years and I’m finally [in] “fuck it, let’s just get it done” mode. Which is really nice, but there’s always blocks. I mean, I’ve had a block with the foldable coat hanger for years, and I think we finally have solved it. It’s cool how it ebbs and flows and you’ll discover a new way to approach it that solves [a] problem–and then maybe [that] causes new problems. There’s nothing consistent about it.
I don’t believe in it being a block. I just think that there are times where I’m not supposed to be working.
Ryuichi Sakamoto, Mike Hadreas, Katie Tupper, Bill "Blinky" Sellanga, Marissa Nadler, Tegan Quin
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