How much rewriting or revision do you do?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Kristen Radtke said elsewhere, not written here
It’s arduous and time consuming. A sentence can be revised ad nauseam forever. If you know what needs to happen in a scene, you may be revising that for a while to get the language right, but you’re creating the whole time. With drawing it’s different. If I storyboard something and I know, for example, that in this picture I’m going to draw myself with my feet up on my desk, talking on the phone, as I am now, I can see that exactly in my mind. Then I just have to spend the hours to put it on the paper… but that takes much longer than revising the sentences.

T. Cole Rachel, The Creative Independent interview source ↗

Others on this question

View all 51 →
First, I do two longhand drafts, and those are complete drafts. Every word is gone over and considered. The third draft is when I start typing, but it’s the same process again. The whole thing is reread. I think after three or four, I start to be able to be satisfied with certain sections. And then I start concentrating on things that just are more problematic, that are going to be a tough nut to crack, probably for the duration of the process. But that doesn’t mean that I won’t come back to things and have an “aha” moment, or say, “Oh, wait a minute, this sucks. I thought it was okay, but I found a better way to do it.”
Recorded Elle Nash, The Creative Independent interview, 6 February 2025 source ↗
I revise the book, and then a few other people read it, and then there is a master document listing all of the things that have to be revised. And then those are broken out, and the book is printed out in various ways. I don’t know if you’ve ever used that function on the printer, where you can do four pages to a sheet or six pages to a sheet. I’ll often read things I write in very small font, to get an overview of them. And then I’ll print them out in really big font, and look at them that way.
Recorded Maddie Crum, The Creative Independent interview, 8 July 2021 source ↗
Jade Catta-Preta American comedian and actress
I like to write onstage. I like to say a funny thing that happened to me out loud and see if any part of it gets a laugh, then take the little moment that got the laugh and expand on it. I wish I was a more studious person. I have drawers full of notebooks filled with random sentences. In one I found a note that said, ‘wet lettuce.’ That’s it. What about it? What about wet lettuce? I know that I don’t like it, but where is the joke?!
Recorded Greta Rainbow, The Creative Independent interview source ↗
Lauren Groff writer, bookseller
No, I’m never worried that I’m going to forget anything from a previous draft. It’s not that I don’t forget good things, but I think that often we fetishize what has been done to the detriment of the larger design. I think sometimes we fall in love with a paragraph, even a chapter or a character, and ultimately, those things don’t necessarily add to the book at hand. I actually see it as this beautiful process of almost whittling away. I know it seems counterintuitive, but if I do remember something and it does come into the book in the next draft and I never look at my previous draft, then it probably deserves to be there.
Recorded Scarlett Harris, The Creative Independent interview, 27 November 2024 source ↗

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