The Sun/Daily Mail/other various rags. It’s not that I go out of my way to read them, but back in England any fish and chip shop worth their salt delivers your food wrapped in newspaper. Tabloids are cheapest. You can’t help but catch the headlines.
Originally asked
Vox, to writers and thinkers, 9 Questions, 2017
Vox used this as one of nine fixed questions in its 2017 series on intellectual habits.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Sean Illing, Vox, “9 questions” series, 16 September 2017 source ↗
Others on this question
View all 27 →I often hate-read the Daily Mail. It’s the worst of media and the worst of mankind distilled into one publication and in some ways it feels a moral duty to be familiar with it. Too often we all bolt ourselves into an echo chamber, which I think lacks courage, and can lead to a kind of intellectual conceitedness.
Well, I almost never agree with anything anyone in the current administration says, but I read their press releases and interviews and late-night tweets regularly, because I need to stay informed.
I like the introduction where she says that ‘the solution does not lie in government regulation or getting men to do more around the house, although that would be nice.’ I disagree with her about government regulation.
More from Adam Gopnik
View profile →I wrote it because it was so. Because it was the force of my experience that pushed the book out of me, like a baby is pushed out of its mother. The mother doesn’t say, “I’ll push this one out for my friends.” You push the book out because you’ve got to – as you push out the baby.
That’s the book I hope to get written sometime in the next ten years.
My very wise and politically savvy 17-year-old daughter says I get too emotional about political issues. I think she’s right. She knows that if she sees me race across a room, I have just read something about Trump. Turning ideas into feelings is the thing an essayist is supposed to do, but political punditry should probably be more detached.
Well, it certainly influences my manner of writing, because I always see Darwin as a model of the act of explanation and of argument; the morality, the ethics of explanation, maybe.
I’ve been devoting a lot of my time in the last five years to musical theater. It’s been my new passion. I’d love to write a musical comedy about Eleanor of Aquitaine and the troubadours. I’ve always thought that would make a wonderful musical, about a troubadour who falls in love with a beautiful queen.
You have to discipline your mind and your heart and not to be unduly nostalgic about those losses.
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David Hare, Harry Sidebottom, Celeste Ng, Alain de Botton, Skye C. Cleary, Henry Rollins
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