I talk to someone. Dialogue helps relax the mind and new ideas are planted as people talk to me. Sometimes one phone call is enough, other times meeting a friend at a café or a bar will do the trick. To take the focus out of ourselves for a while helps us find new creative ways. We shouldn’t be prisoners to the traps our brain creates. To read or to go out for a walk can also be rather helpful.

You just have to remember that you’re a creator and not a machine. You just have to know when you’ve got to step aside and either move onto something else or just stop until the moment feels right again.

I don’t get stuck creatively. I was built to use and know my body—to trust its limits, only in that they can be broken. My mind works like an athlete’s mind and body. I’m an ox on the page, yoked to some aching heaviness, grinding some mark of myself into the clay. If I’m ever frustrated or angry or bored, I use my body. To walk, to run, to make love, to touch.

When young artists ask, “How can I get past these things?” I respond: “For one thing, try doing your very worst work. Do the worst song you can possibly think of. At the very least, you’ll get some idea of what your rules are. At the most, you’re going to get something that’s better than anything you’ve ever done because it has a lot of pure energy.” Just make it bad. Just make it really bad. You know, so pure and bad. I have tried that. That works well. Sometimes I clutch on that, too. I think, “No, that’s so bad it’s good.” Go on and on and get yourself twisted up into a language!