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The question

How does a new piece of work usually begin for you?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Shigeru Ban

Japanese architect

Recorded said elsewhere, not written here
I don’t begin with a material. I begin with a problem. If a material can solve that problem, then I become interested in it. Sometimes it is paper, sometimes timber, sometimes carbon fibre. There are many materials we still don’t use efficiently. I think there is always room to discover new possibilities, every project presents a different problem, and I am always thinking about how to solve it more simply, with fewer materials or a better structure. I think every material has good and bad qualities. The important thing is understanding them and using them appropriately.

The Talks interview, 26 August 2026 source ↗

Others on this question

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Precious Okoyomon artist and poet
I write mostly in my bedroom. I don’t have a desk. I have at least 10 or 12 books that I’m reading at the time around me and I flip through different things. I have poems that I’m reading on my computer and I flip through those. I usually start by journaling. I journal every night, and that’s where most of my poems come from. Or notes in my phone that I pick through and Frankenstein morph into poems. In the end, it’s just me trying to boil down my gibberish and self-recriminations into some destruction and rebirth of me trying to give flesh to my memories.
Recorded Willis Plummer, The Creative Independent interview, 14 April 2022 source ↗
It’s different for every project for me. Books are a combination of character, plot, and setting. And every book I write, I could point out and say, oh, there was the first idea . Usually they’re growing separately , a couple ideas for the plot, a couple seeds for characters. An idea for a magic system or a governmental structure. Those will be growing independently in my notes file. I know I have a book when these different elements start to meld together in my brain, and change each other in interesting ways. I’ll start to say, all right, these two ideas belong together. Here’s this character who belongs in this plot. Is there a setting that I’ve been developing that also enhances this?
Recorded Margot Atwell, The Creative Independent interview, 8 March 2022 source ↗
I was about to answer cheesily, “It starts me,” but it actually does. I search. I put in a lot of time reading, taking notes, writing in that grasping way that feels mostly wrong. Usually it begins with an image and then the voice comes. Once I have the voice, the book presents. Annie Ernaux talked about it as channeling, and I don’t want to over romanticize it, because there’s a lot of bodily discipline that goes into the making. But I do think that, for me, that’s how a first draft feels. It’s like just keeping up with the voice in my head, being true to it, clinically so—like a pact. I love that first draft, because it’s pre-scrutiny, pre-analysis.
Recorded Shy Watson, The Creative Independent interview, 26 January 2024 source ↗
Jeff Bezos Founder and former chief executive of Amazon; founder of Blue Origin
That blank sheet of paper stage is one of the hardest stages, and one of the reasons it’s hard is because at that stage there’s nobody counting on you but yourself. Today it’s easy because we’ve got millions of customers counting on us, and thousands of investors counting on us, and thousands of employees all counting on each other. In that beginning stage it’s really just you, and you can quit any time. Nobody is going to care, so you set about doing the simple things first.
Recorded Academy of Achievement interview, 2001 source ↗

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