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The question

How does a new piece of work usually begin for you?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

JM
John Joseph Mitchell

American politician

Recorded said elsewhere, not written here
Usually one of two ways. Either I see something in the world and I’m like, “I want to make that picture,” or I see a picture and I’m like, “I want to make that painting.” And then I look for a way to make it out of stuff in my world. So I guess the first process is more, like, self-explanatory; you make some sketches, take pictures. I usually make notes about color, particularly try to get one color relationship true in the sense that the distance in terms of value or temperature of those two colors is true. Not necessarily the colors themselves, but the way they relate to each other. Make notes about that. Then come back to the studio, and maybe 10% of the time I just start working on a painting. And then maybe 30% of the time I make drawings and start that way. And then the other…is from looking at a painting and seeing a question and a solution posed by someone else, and trying to pose the same question and find the same answer, or a similar answer. And my way into that is to find a subject in my surroundings that seems structurally suitable, I guess.

Ty Maxwell, The Creative Independent interview source ↗

Others on this question

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A little of both. Sometimes I have a skeleton of something. For both essays and poems, the conception process is very similar. So there definitely were some essays that started as poems. It’s just about realizing what the best container is for the thought. Sometimes I need more of an argument, even if it’s an argument with myself, but what’s cool is that I can think about utilizing those techniques no matter what form. It’s about exercising, learning how an essay thinks, and then being able to apply that to a poem if I need to or want to.
Recorded Arriel Vinson, The Creative Independent interview, 6 January 2025 source ↗
Clare Sestanovich American writer
I start with the first sentence. A maddening answer, and, for my own sake, I wish I had a better one. But it’s the only way I know how: one sentence on top of the other, one foot in front of the other. In that way, writing does feel exploratory to me. I never start with a map in my head or even a destination. All I have is a sense that I’m heading in an interesting direction.
Recorded Shy Watson, The Creative Independent interview source ↗
Jocelyn Bell Burnell Radio astronomer; discoverer of pulsars
From one particular piece of the sky an unclassifiable signal sometimes recurred and my brain started to say: “You’ve seen something like this before, haven’t you? You’ve seen something like this before from this bit of the sky , haven’t you?” I got out previous recordings from that bit of sky. It often wasn’t there, but when it was, it was keeping its place amongst the stars.
Recorded Louise Walsh, University of Cambridge 'Journeys of Discovery' interview series, 1 January 2020 source ↗
Well, it’s very simple for me. It’s pretty much always the same. I might have certain things swimming around in my head. We all always do. What’s been on your mind lately? You could ask anybody that, and you’d get a couple of answers. But, I always jump in. I always just try to think of a first sentence. Well, actually, I decide firstly if it’s going to be in third person or first person. And then I just think of something, I just get something moving.
Recorded Maddie Crum, The Creative Independent interview, 12 October 2020 source ↗

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