I needed to physically be totally alone and be in a different place to get going.
Originally asked
The Creative Independent, to working artists, its interview series
The Creative Independent repeatedly asks working artists how they divide time between creative practice and administrative, family, or second-job obligations.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Svetlana Gutkina, Culture.pl, 2019 source ↗
Others on this question
View all 21 →It is possible to be a good scientist, a good mother and have a family and even bake a cake.
Being an entrepreneur was the best decision I could’ve made, because not having a boss gave me the freedom to make my family a priority without compromising my work.
I am mostly full time dad and my time is mostly at the mercy of an awesome little boy. I write when I can.
More from Adam Zagajewski
View profile →Poetry is more important to me, and if I was forced to choose, it’d be poetry. I often write essays when I’m unable to write a poem, but I also enjoy writing essays, so I don’t suffer while writing them.
And now, advice for beginning mystics. Be sober, be intelligent, be educated, rely on the tangible reality as long as you can. Remember that the act of writing is a tiny part of a bigger something. Defend the value of the spiritual experience and if somebody tells you it’s an old fashioned notion, laugh loudly and serenely. Don’t trust priests of the postmodern religion of absolute playfulness.
Happiness springs from having found a form of expression that also earns recognition.
Generally, my hours are during the first part of the day; hardly ever in the evening. The hours nearer noon, the zenith of the day, are good for working.
Yes, because it seems to me that poetry cannot be hermetically closed to thinking. And thinking always enters the field of contradiction. So it also has to do with the way I try to reconcile poetry versus thinking. … I think you’re right that for many American poets, poetry is almost an escape from the cruelty of thinking, from the choices you make when you think. Escaping your life—which may be tragic, but it’s not problematic. So I see it differently, as a necessity to confront these categories.
Well, that’s the optimistic reading of it, which you are never able to apply when it happens. You can read it this way when it’s over. Rationally speaking, it’s a period that’s needed, because the danger for every poet, I think, is to write too much. So these are the blessed moments of silence, protecting you from writing too many poems, diluting you and what you have to say in a stream of banal poems. It’s necessary, but still very painful, because I just don’t know what to do if I don’t write poems. I still survive, but it is painful.
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