For sure. I think that’s why I also work in other mediums. Sometimes I have the urge to make something. Sometimes I want to make a poem but at that moment I can’t for whatever reason, so I work with other materials. I like to do sculpture; my sculptures are usually more like objects. I also play music here and there, but I just do these things to kind of help me with writing… I use these other ways of making to help keep my wheels moving in one way or another, and eventually the language will come for writing. Sometimes I do get writer’s block, but I have never really viewed it in that way. I still try to make things even if I don’t have the language or words to put to it in at the moment.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Scarlett Harris, The Creative Independent interview source ↗
Others on this question
View all 66 →When you’re creatively stuck, there’s something else that’s stuck. There’s something else that’s stagnant that needs to start moving so that your creativity can flow again. Maybe you’re holding it in an emotion. Maybe you need to have a conversation that you haven’t had and you’re putting it off. Whatever it is, your creative energy gets affected by other things in your life. Your creative energy is your life force.
Oh, my god. Every day. I listen to a lot of podcasts about artists, screenwriting and stuff. Some people say they don’t get writer’s block. I’m like, “What the fuck? How?” I get writer’s block every day. I get stuck all the time because you always hit a road block. You think what you planned before was going to work out so smoothly and then you start writing and it doesn’t quite flow the way you want it to, or the structure may not be working. Happens all the time. But for me, I have a lot of people I trust and can bounce ideas off of… I’ll send the script to other filmmakers and ask their opinions. I have a lot of people that I trust and that I can really talk things out with. I think the thing that’s helped me the most is being able to talk it out.
Just realizing that the block’s part of it. There’s always a week or two, or even a full month, where I’m convinced I’ll never write again, that everything was a fluke before. Or I’m writing, and I can’t tell if it’s inspired or shitty, but I don’t really freak out like I used to. I know that it’s just part of eventually figuring it out. It used to make me panic, but now I know it’s just what happens.
More from Curtis Sittenfeld
View profile →I think that’s an instinct.
At first I’ll think of stuff in my head for a while. The more I think of an idea, the more promising it is— it just naturally occupies space in my brain. Then I start making notes with pen and paper. If it’s a story, it’s more like a moment, or just it’s kind of a more fleeting idea. And if it’s a novel, it’s something that I can see approaching in a lot of different ways, and sticking with for two or three years. I might write a scene or two and just kind of see how it feels. Then I will type an outline. That’s when I really feel like I have a path forward, even though I don’t feel like I have to stick to the outline, but it is very reassuring to me to have it.
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