It’s always hard to decide when something’s done. To go back to the painting metaphor, maybe deciding something’s done is just letting the canvas dry and stepping away. There is this simple resignation that takes place. The benefit of working with collaborators is you get the take and that’s what you have. So that’s also something that helps push projects to completion. And also, scary deadlines. Scary deadlines are always a great way to finish projects, which is why composing can sometimes be a great antidote to whatever baked-in perfectionism I might have. With artist records, you can take years and you can say this isn’t good enough, but then you have a deadline for a project and they’re like, “We need the stems by Tuesday at midnight,” and you have to do it. Accepting something is good enough is a skill in and of itself.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
The Talks, 21 June 2017 source ↗
Others on this question
View all 76 →Sometimes when I listen to it, I’m still editing it in my head a little bit. At a point, you need to realize that you have to stop and be outside of yourself. You want to take it seriously, but you also know in your heart that you’re making it worse by over-editing or over-processing or over-adding.
It’s paying attention to the energy of the piece. If it feels really distant from me, I know that there’s an irreconcilable problem between me and the work, and I need to just put it to the side until it wants to come back to me. If I wake up really excited to work on something, then it’s still present in me. If not, I put it to the side without fearing, because often those things come back much, much better a decade or two decades later. It’s really allowing the work not to just be the work at hand, but the longer process of making something, making a life and making a life in art. So, knowing that even if this story, I tried to do this story when I was 19 and it didn’t work and I kept trying 26 and then 34 and then 42.
I mean, nothing’s ever done. I don’t think anyone knows when something is really done. There’s just doing it and not doing it. You do it until you don’t want to do it anymore. Then hopefully, someone else will take it over and keep on doing it. Songs are not really from any individual. There are all these lawsuits about plagiarism, Led Zeppelin has been going through that lately. It bums me out. The idea of intellectual property is kind of a trap. It’s just a way to get by, which I guess is fair because most of us are broke.
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