Skip to content

The question

How do you tell when a piece of work is done?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Steve Jobs

Co-founder and chief executive of Apple; co-founder of NeXT; chief executive of Pixar

Recorded said elsewhere, not written here
I don’t think I’ve ever worked so hard on something, but working on Macintosh was the neatest experience of my life. Almost everyone who worked on it will say that. None of us wanted to release it at the end. It was as though we knew that once it was out of our hands, it wouldn’t be ours anymore.

David Sheff, Playboy Interview, February 1985 source ↗

Others on this question

View all 67 →
Claire L. Evans American singer, writer and artist
That’s a really good question. I don’t think you ever know; you just have to make a call. Finishing is acknowledging that there’s no further progress to be made at the current juncture. If you sit on a song for 20 years and come back to it with all the wisdom of your life, you could probably write a better song, but objectively, you have to get it out into the world in order to continue to live as an artist. So, there’s a sense of: “well, this is as good as it’s gonna get for me at my level right now.” Sometimes you realize that early, but it can take a long time. I think deadlines were invented by God to make art possible. I don’t think I could finish anything without a deadline, self-imposed or external. With the book, it was just: these people at Penguin, they don’t know me. They have no idea that I can’t do this. I have to do it because otherwise they’ll know that I can’t do it.
Recorded Kailee McGee, The Creative Independent interview source ↗
Heba Kadry Mastering engineer
Something is never done. If time and money and deadlines were no object, people would tweak until the cows came home. Ultimately, I would like to think something is done when I master it and I send it off and I’m so stoked about it. I feel like, “Wow, I really brought this one home.” And then I get the same feedback from the artist, that it is just beyond their imagination. Where it comes back to them, and they get excited about the mixes again. Or if there was something they were worried about, and it gets addressed and sounds better than they would’ve thought.
Recorded Leah Mandel, The Creative Independent, 10 September 2019 source ↗
Lars Jan American multidisciplinary artist
The White Album is a project that we performed in Pittsburgh. We did it at the Wexner in Ohio. We did it at BAM. We’re going to perform it at the Center for the Art of Performance in Los Angeles, which is co-represented by Center Theater Group. And I still don’t feel like the piece is totally finished. I don’t feel like I had nearly enough time to actually develop the work. I feel like I threaded a needle and got it to a certain point that I’m proud of, but I still haven’t had enough time to play with all of the components involved in the work to get them to harmonize in the way that I want.
Recorded Brandon Stosuy, The Creative Independent interview source ↗
Loraine James British electronic producer and musician
Most EPs I’ve done have just been for fun, Bandcamp stuff, so I just stop when…I guess with EPs, it’s easier. It’s like, “Oh, EPs are usually four or five songs.” I know it will end within that bracket.
Recorded Max Freedman, The Creative Independent interview source ↗

More from Steve Jobs

View profile →
Question Does the thought of dying frighten you? Death & what remains
I've always felt that death is the greatest invention of life. I'm sure that life evolved without death at first and found that without death, life didn't work very well because it didn't make room for the young. It didn't know how the world was fifty years ago. It didn't know how the world was twenty years ago. It saw it as it is today, without any preconceptions, and dreamed how it could be based on that. We're not satisfied based on the accomplishment of the last thirty years. We're dissatisfied because the current state didn't live up to their ideals. Without death there would be very little progress.
Recorded Daniel Morrow, Smithsonian Institution Oral and Video Histories, for the Computerworld Smithsonian Awards Program, 20 April 1995 source ↗
Question What counsel would you give your twenty-year-old self — and what should they ignore? Time & hindsight
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
Recorded Stanford University 114th Commencement, Stanford News (Stanford University), 12 June 2005 source ↗
Question What part of your job would surprise outsiders because it takes up so much of your time? Craft & work
My job is to not be easy on people. My job is to make them better. My job is to pull things together from different parts of the company and clear the ways and get the resources for the key projects. And to take these great people we have and to push them and make them even better, coming up with more aggressive visions of how it could be.
Recorded Betsy Morris, Fortune interview, Kona, Hawaii, March 2008 source ↗
Question What are you unwilling to optimise? Values & belief
When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.
Recorded David Sheff, Playboy Interview, February 1985 source ↗
Question How does a new piece of work usually begin for you? Craft & work
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people.
Recorded Gary Wolf, Wired 4.02, February 1996 source ↗

More on craft & work

Also answered this

Brandon Sanderson, Circuit des Yeux, Beverly Glenn-Copeland, Claudia Dey, Sandy Tran, Jeremy Sorese

Search the directory for somebody in particular.

Explore further

Report this answer