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Athol Fugard

Playwright, director and actor

Recorded said elsewhere, not written here
I don’t think I could. Of course I’m saying this on American soil. I’m facing a few more months of work in this city, but at the end of it, I will be returning to South Africa. I would like to believe that if for some reason the situation deteriorated to the point where I was told, “If you leave South Africa, you can never come back,” I’d stay there. There were periods in my life when I could have been seduced away. I am incredibly fortunate that the government took away my passport at the point when I was most open to seduction. With my passport gone, I could have left on a one-way ticket. But the issue was so starkly highlighted that I had no problem in saying, “No.”

Lloyd Richards, Interview conducted in front of an audience at the Poetry Center of the 92nd Street YMHA, New York, The Paris Review, Issue 111, Summer 1989, 13 October 1985 source ↗

Others on this question

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Lynsey Addario Photojournalist and war photographer; Pulitzer Prize winner, 2009
So it affects my work in the sense that now I’ve been kidnapped twice. So now when I’m working in a place like Iraq — even if it’s northern Iraq and someone who hasn’t survived those two things would just drive on these roads and say, like, “Oh, this is great” — but of course, for me, all I see is ISIS around every corner. Or I envision the road filling up with insurgents because I’ve seen that, and I’ve been in that situation. So it affects my work in that sense, that I’m more paranoid than I ever was, certainly than I was in my 20s.
Recorded Academy of Achievement recorded interview, American Academy of Achievement, 21 October 2017 source ↗
Nicholas Kristof Journalist and columnist, The New York Times; two-time Pulitzer Prize winner
And in the end they robbed us, but they did let us go. But I think that that was a very useful lesson early in my journalism career, that things can go very badly wrong. At one moment you can be going down a road and things are perfect, and the next moment you’ve got some drunk soldiers who just may kill you. That fear that I felt when they were holding us for maybe 45 minutes or so in the jungle, that has never entirely left me.
Recorded Academy of Achievement recorded interview, American Academy of Achievement, 3 July 2008 source ↗
Oliver Sacks Neurologist and writer
And I spent four years at a boarding school in the country, probably a rather abusive boarding school, and seeing very little of my parents, and that was a very bad time for me. A bad and almost a mad time. ... I think that some sort of trust, and ability for closeness, may have been compromised. And I think I’ve perhaps, to some extent, sort of kept a distance since that time, although this is not a distance I feel with my patients or my students.
Recorded Academy of Achievement recorded interview, American Academy of Achievement, 17 June 2000 source ↗
Winston Churchill Prime Minister of the United Kingdom, 1940–1945 and 1951–1955; Member of Parliament 1900–1964
Prisoner of War! That is the least unfortunate kind of prisoner to be, but it is nevertheless a melancholy state. You are in the power of your enemy. You owe your life to his humanity, and your daily bread to his compassion. You must obey his orders, go where he tells you, stay where you are bid, await his pleasure, possess your soul in patience. Meanwhile the war is going on, great events are in progress, fine opportunities for action and adventure are slipping away. Also the days are very long. Hours crawl like paralytic centipedes. Nothing amuses you. Reading is difficult; writing impossible. Life is one long boredom from dawn till slumber. Moreover, the whole atmosphere of prison, even the most easy and best regulated prison, is odious. Companions in this kind of misfortune quarrel about trifles and get the least possible pleasure from each other's society. If you have never been under restraint before and never known what it was to be a captive, you feel a sense of constant humiliation in being confined to a narrow space, fenced in by railings and wire, watched by armed men, and webbed about with a tangle of regulations and restrictions. I certainly hated every minute of my captivity more than I have ever hated any other period in my whole life. ... Therefore in after years, when I was Home Secretary and had all the prisons of England in my charge, I did my utmost consistent with public policy to introduce some sort of variety and indulgence into the life of their inmates, to give to educated minds books to feed on
Recorded Chapter of his autobiography, written at Chartwell in 1930, Winston S. Churchill, My Early Life (Thornton Butterworth, 1930), Project Gutenberg Canada, October 1930 source ↗

More from Athol Fugard

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Question Do you rely more on inspiration or discipline to make your work? Craft & work
Do I have a muse? Well, I don’t know if this is an adequate answer, but I suppose my muse is the people of South Africa. I’ve often said that the little — or maybe the lot — I know about loving and hating was taught me by South Africa. Now that’s a big debt. When you owe that much to a situation that has shaped your conscience, your heart, your whole life, you’re profoundly indebted.
Recorded Academy of Achievement interview, San Francisco, California, 13 September 2014 source ↗
Question What are you best at that nobody watching would notice? Craft & work
That is true. That one little corner of South Africa, Port Elizabeth and its immediate surroundings, is a region that I know like the back of the hand that holds my pen as I write about it. I can stand on a street corner in Port Elizabeth, look at anybody and put together some sort of biography. I know where they come from, where they’re going. I have a feel of the textures of their life. If I stand on a street corner in New Haven, which is a place I’ve gotten to know as well as any place outside of South Africa, I am still at a total loss to identify the people passing me on that street.
Recorded Lloyd Richards, Interview conducted in front of an audience at the Poetry Center of the 92nd Street YMHA, New York, The Paris Review, Issue 111, Summer 1989, 13 October 1985 source ↗

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