But Larkin was different. He knew it would end in silence, and he was afraid of the silence. He didn’t like the idea of not being here. I’m not like that – and my death might come as a relief to quite a few people. I’d rather like it not to hurt, that’s all.
Clive James has not joined FLAPSS and has not endorsed it. This page is a reference record assembled from published interviews and public remarks. Every answer below is a direct quotation with the source and date shown next to it.
Clive James
Critic, essayist, poet and broadcaster
Australia · 1939–2019
Arts and letters
About
Australian critic, memoirist, poet and broadcaster who spent most of his working life in Britain, where he was the Observer's television critic and the author of Unreliable Memoirs and Cultural Amnesia. Diagnosed with leukaemia and emphysema in 2010, he wrote and gave interviews about his own dying for the next nine years, including the late poetry of Sentenced to Life, before dying in Cambridge in November 2019.
7 answers
Yes, but I don’t think I have the energy. I’ve been hit in the face by a cricket bat at 1,000 miles an hour. I think the last round-up is here. But that’s OK. It would be bad manners to complain. I’ve had a lucky life, and I’m grateful for it.
Yeah. These books are all around me and they'll be here when I go and I'm that sick. I just don't know when it ends. But in 2010, I got really ill and leukaemia was one of the things I was diagnosed with and eventually it will switch me off. So it raises the question: what do you do? Do you lie down and give up? Read the Bible? Or do you go on as you were reading and writing. And I've done the second and I've just done a little bit called Latest Readings which is about the books I've been reading lately and I could do another volume of that because I'm still reading.
I think I actually wrote it in one of my poems is that my decline has been the making of me - I forget how I put it. Yeah, simply more reflective. I haven't got the excuse of moving forward just on impulse anymore, which I did, I think, for a long, long time.
One thing, it's too big a subject and I want to talk about it on paper if I talk about it at all. But I can say this much, because I thought the life that my father and mother would have had together was cut short and something of what they might have achieved I hope that I'm achieving in my work.
What I’ve got doesn’t hurt. I’ve been lucky. The treatment has been benign. I don’t know if I could concentrate if I was in pain. I’ve never had to stop.
It’s here. I’ve always thought that it was here. If you play to the gallery, that’s posterity. The best you can hope for is another gallery after you’ve gone, but you won’t see it. Statistically, it’s unlikely that much of what one does will be read for ever. It may just be one or two poems. For example, my Japanese Maple poem is famous among people who own a Japanese maple.
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