One thing, it's too big a subject and I want to talk about it on paper if I talk about it at all. But I can say this much, because I thought the life that my father and mother would have had together was cut short and something of what they might have achieved I hope that I'm achieving in my work.
Philip Williams, 7.30, ABC, ABC News, 20 August 2015 source ↗
But it was quite intense to be the first Black person that my German friends had seen. Actually laid eyes, and hands, on. And there was the German language, which I had to learn, and the German kids learned British English, so my American English was frowned upon. … Maybe I write like I do because I spent those years in the cauldron of not fluently speaking the native language of my classmates. Those several years of being told that the tongue I spoke wasn’t right.
I was raised by a heroic single mom, wonderful grandparents -- made incredible sacrifices for me. … But I sure wish I had had a father who was not only present, but involved. Didn't know my dad. And so my whole life, I've tried to be for Michelle and my girls what my father was not for my mother and me. … I want to be a better father, a better husband, a better man.
If you really want to make a difference, whether it’s in helping other people, or whether it’s in fighting for your country, or whether it’s in the political arena, or journalism, or physics, you’ve got to persevere. You’ve got to understand that there are going to be some enormous bumps in the road.
I think the turning point was when my daughter turned 17, and I drank 17 glasses of wine straight. ... But that was my escape from everything I had gone through from the movement — because even as we did the movement, there were traumas that were piling up.
It’s here. I’ve always thought that it was here. If you play to the gallery, that’s posterity. The best you can hope for is another gallery after you’ve gone, but you won’t see it. Statistically, it’s unlikely that much of what one does will be read for ever. It may just be one or two poems. For example, my Japanese Maple poem is famous among people who own a Japanese maple.
I think I actually wrote it in one of my poems is that my decline has been the making of me - I forget how I put it. Yeah, simply more reflective. I haven't got the excuse of moving forward just on impulse anymore, which I did, I think, for a long, long time.
Yes, but I don’t think I have the energy. I’ve been hit in the face by a cricket bat at 1,000 miles an hour. I think the last round-up is here. But that’s OK. It would be bad manners to complain. I’ve had a lucky life, and I’m grateful for it.
Yeah. These books are all around me and they'll be here when I go and I'm that sick. I just don't know when it ends. But in 2010, I got really ill and leukaemia was one of the things I was diagnosed with and eventually it will switch me off. So it raises the question: what do you do? Do you lie down and give up? Read the Bible? Or do you go on as you were reading and writing. And I've done the second and I've just done a little bit called Latest Readings which is about the books I've been reading lately and I could do another volume of that because I'm still reading.
But Larkin was different. He knew it would end in silence, and he was afraid of the silence. He didn’t like the idea of not being here. I’m not like that – and my death might come as a relief to quite a few people. I’d rather like it not to hurt, that’s all.
What I’ve got doesn’t hurt. I’ve been lucky. The treatment has been benign. I don’t know if I could concentrate if I was in pain. I’ve never had to stop.
Christopher Hitchens, Maurice Sendak, Wole Soyinka, Tony Judt, Suzan-Lori Parks, Jenny Diski
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