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Suzan-Lori Parks

Playwright, screenwriter and novelist; Pulitzer Prize for Drama, 2002

Recorded said elsewhere, not written here
But it was quite intense to be the first Black person that my German friends had seen. Actually laid eyes, and hands, on. And there was the German language, which I had to learn, and the German kids learned British English, so my American English was frowned upon. … Maybe I write like I do because I spent those years in the cauldron of not fluently speaking the native language of my classmates. Those several years of being told that the tongue I spoke wasn’t right.

Branden Jacobs-Jenkins, The Paris Review, Issue 235, Winter 2020, 2020 source ↗

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When Milton's Satan stood in the pit of hell and raged at heaven, he was merely a trifle miffed compared to how I felt on that day. I felt totally alone, with the world receding away from me in every direction, and you could have used my anger to weld steel. Only my family and the fact I had fans in the medical profession, who were able to give me useful advice, got me through that moment.
Recorded Written for the Alzheimer's Society in 2008; reprinted by the Observer in the week of his death, The Guardian, 2008 source ↗
Nobu Matsuhisa Chef and restaurateur
I moved to Argentina, then back to Tokyo and then to Anchorage, in Alaska, where I ran a restaurant. After 50 days the restaurant burnt down – an electrical fire. I lost my dream. I lost my money. I lost my passion. I thought about suicide, but thinking of my family and my kids made me realise I had to wake up.
Recorded The Observer / The Guardian, 12 April 2025 source ↗
Jenny Diski Novelist and essayist
I try but I can’t think of a single aspect of having cancer, start to finish, that isn’t an act in a pantomime in which my participation is guaranteed however I believe I choose to play each scene. I have been given this role. (There, see? Instant victim.) I have no choice but to perform and to be embarrassed to death. I wish you long life.
Recorded London Review of Books, 11 September 2014 source ↗
Kate Bowler Historian of American Christianity; professor at Duke Divinity School
To so many people, I am no longer just myself. I am a reminder of a thought that is difficult for the rational brain to accept: that the elements that constitute our bodies might fail at any moment. When I originally got my diagnosis at age 35, all I could think to say was, “But I have a son.” It was the best argument I had. I can’t end. This world can’t end. It had just begun. A tragedy is like a fault line. A life is split into a before and an after, and most of the time, the before was better.
Recorded The New York Times, Sunday Review, 26 January 2018 source ↗

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Question Do you rely more on inspiration or discipline to make your work? Craft & work
It’s just a devotion to the greater beautiful thing that allows us all to be here. It sounds a little “woo-woo,” but basically, it’s manifested in me because I’m a writer. I get up every morning, and I write. I sit. As Paul knows, I sit. I have my notebook. I’m scribbling. “Don’t talk to me right now, honey. I’m writing.” That’s my thing. That’s how I manifest it. Someone who runs the hurdles, or a tennis player, would manifest it daily, going out there and hitting balls or whatever they do.
Recorded Academy of Achievement interview, Washington, D.C., 22 June 2007 source ↗
Question What part of your job would surprise outsiders because it takes up so much of your time? Craft & work
Right. And let’s put Michelangelo in quotes, ’cause was he really the one who actually said that? But, anyway, the idea still holds. I feel that whatever I’m writing exists already. Maybe that’s because of a glitch in the space-time continuum and when I write I’m actually putting my living self behind the present moment in time. Like I’m following something through the woods. Eyes open. Ears open. Heart open. And I’m following a path that is sometimes behind me.
Recorded Branden Jacobs-Jenkins, The Paris Review, Issue 235, Winter 2020, 2020 source ↗

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